“1948: The Best Years of Our Lives. The characters in the film have retained a candour towards - and naive faith in - their feelings which we no longer possess. Our feelings, which we delightfully term emotions in order to salvage the fiction of an emotional life, are not affects any more, merely a psychological affectation, having lost all credence in our eyes. Or, alternatively, they are conversion emotions, betraying the melodrama going on in the body rather than the nuances of the soul. We do not even have this candour in our relations to our dreams, where we grapple with their interpretation, their splitting, their ironic reflexes. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. But the worst thing is that not just life, but cinema too, seems to have lost all simplicity since that period. It knows only how to parody itself affectedly, and has veered towards psychodrama or visual melodrama. Retrospectively, these were then, also, the 'Best Years' of cinema.” CinemaMelodramaPsychodrama Book:Fragments Source: Fragments
“Consequently the other is all of a sudden no longer there to be exterminated, hated, rejected or seduced, but instead to be understood, liberated, coddled, recognized. In addition to the Rights of Man, we now also need the Rights of the Other. In a way we already have these, in the shape of a universal Right to be Different. For the orgy is also an orgy of political and psychological comprehension of the other - even to the point of resurrecting the other in places where the other is no longer to be found. Where the Other was, there has the Same come to be. And where there is no longer anything, there the Other must come to be. We are no longer living the drama of otherness. We are living the psychodrama of otherness, just as we are living the psychodrama of 'sociality', the psychodrama of sexuality, the psychodrama of the body - and the melodrama of all the above, courtesy of analytic metadiscourses. Otherness has become sociodramatic, semiodramatic, melodramatic.” ToleranceLiberalismOthernessOtherAbra Los OjosPsychodrama Book:The Transparency of Evil: Essays in Extreme Phenomena Source: The Transparency of Evil: Essays in Extreme Phenomena