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Quote by Satoru Nii

“You shouldn't change. Keep being you. If a strong and smart guy like you never gives up, then just maybe you'll be able to accomplish a miracle like that one day.”

Quote by Satoru Nii

Book:Wind Breaker 11
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Wind Breaker 11

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Satoru Nii

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“Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.”

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Book:Winter's Bone
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“Os adultos gostam de números. Quando vocês lhes falam de um novo amigo, nunca se interessam pelo essencial. Nunca perguntam: “Qual é o som da voz dele? Que brincadeiras prefere? Coleciona borboletas?”. Indagam: “Que idade ele tem? Quantos irmãos tem? Quanto pesa? Quanto ganha o pai dele?”. Só aí julgam conhecê-lo. Se vocês disserem aos adultos: “Vi uma bela casa de tijolos cor-de-rosa, com gerânios nas janelas e pombas no telhado…”, eles não conseguirão imaginá-la. Vocês precisam dizer: “Vi uma casa de cem mil francos”. Então eles exclamam: “Que beleza!”

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“When you listen to early Black Sabbath, you know that the main difference between them & you is that somebody bought them guitars and microphones. They're not smarter than you; they're not deeper than you; they're a fuck of a lot richer than you, but other than that, it's like listening to the inside of your own mind. So when they write songs, they sing about wizards. And witches. And robots.”

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Book:Master of Reality
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“Writing was my godsend, my treatment, my way of digging myself out of a depressive hole. That’s not an outlet a lot of working-class kids had. But because I’d been exposed to books from an early age, this method came naturally. I’d write lots of poems to expel negative feelings. Though I didn’t show them to anybody—they contained the kind of stuff you’d hesitate to tell even a psychiatrist—they became the seeds for the lyrics that would come to define my career.”

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Book:Into the Void: From Birth to Black Sabbath―And Beyond
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