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Quote by De philosopher DJ Kyos

“Some people don't respect artist and don't respect art. They think artist are crazy and art is something you do , when you have nothing else in life to do.”

Quote by De philosopher DJ Kyos

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De philosopher DJ Kyos

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“No, these individuals have had their fill. They depleted the resources of communication amongst themselves. It no longer offered excitation. They wanted a tryst, a midnight rendezvous, to be tongue-tied for an evening, not having to worry about puritanical appearances, acceptable behavior, placing place settings and feeding their children with cherubic faces. Trading paradisiacal palisades of their guarded community, the spiritless suburbia for subterranean devilry. These were philistines, not patrons of the arts. They merely wanted escapism. A stranger to fill their heads. A morally corrupt stand-up comic delivering the goods: immorality, immodesty, and obscenity. Food for thought, nutritive to their stale lives. Perhaps something they could even discuss behind locked doors, back in the privacy of their safe, secure homes.”

Entertainment IndustryObservationalRelationship Dynamics
Book:Conversational Therapy: Stories and Plays
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“You remember your pre-internet brain, and you remember doing those things, but you don’t really remember how it felt. You don’t really remember how time felt. There’s that guy who wrote that book, I can’t remember what it’s called, fuckin’ genius guy. But he’s saying that the world has always been informed by people who read books, and not necessarily academically, but the concept of a narrative is very important to people’s lives. Those people grew up with not necessarily a sense of purpose, but a sense that your life is leading somewhere. That’s the way I relate to my music, because I see The 1975 as this story. But as we go into the future, the world is gonna start being informed by people who didn’t grow up with that narrative — who grew up with more of a sense of immediacy. And we start to feel more like a unit amongst other units, and everything becomes a lot more compartmentalized. So when we talk about Twitter, we know that we were happy before, but we can’t remember how it felt, so we won’t take the risk to leave it. The generation after us now, they don’t have that weird nostalgia or sense that something’s wrong: ‘I didn’t used to do this. I didn’t used to need this.”

BrainInternetDigital AgeOnline CommunicationGen ZInternet AddictionGeneration ZChronically Online
Author:Matty Healy
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“Springsteen is the king, don't you think? I was like, hell yeah, that guy can sing.”

SingingBruce Springsteen
Book:Lana Del Rey - Born to Die Paradise Edition | Piano Vocal Guitar Sheet Music & Songbook for Singers and Musicians | 23 Iconic Pop Ballads Transcribed for Piano Players and Vocalists |Artist Collection
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“Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.”

DepressionBruce Springsteen
Book:Born to Run
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“The blues don’t jump right on you. They come creeping. Shortly after my sixtieth I slipped into a depression like I hadn’t experienced since that dusty night in Texas thirty years earlier. It lasted for a year and a half and devastated me. When these moods hit me, usually few will notice—not Mr. Landau, no one I work with in the studio, not the band, never the audience, hopefully not the children—but Patti will observe a freight train bearing down, loaded with nitroglycerin and running quickly out of track. During these periods I can be cruel: I run, I dissemble, I dodge, I weave, I disappear, I return, I rarely apologize, and all the while Patti holds down the fort as I’m trying to burn it down. She stops me. She gets me to the doctors and says, “This man needs a pill.” I do. I’ve been on antidepressants for the last twelve to fifteen years of my life, and to a lesser degree but with the same effect they had for my father, they have given me a life I would not have been able to maintain without them. They work. I return to Earth, home and my family. The worst of my destructive behavior curtails itself and my humanity returns. I was crushed between sixty and sixty-two, good for a year and out again from sixty-three to sixty-four. Not a good record.”

DepressionBruce Springsteen
Book:Born to Run
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