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Quote by Vanessa de Largie

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Don't Hit Me!

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Vanessa de Largie

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“Nesta is a wolf who has been locked in a cage her whole life. 'I know,' Cassian said. She was a wolf who had never learned how to be a wolf, thanks to that cage humans called propriety and society. And like any maltreated animal, she bit anyone who came near. Good thing he liked being bitten. Good thing he savoured the bruises and scratches she left on his body every night, and that her unleashing when he was buried in her made him want to answer with his own. Elain leaned forward. 'You only think you know- you haven't seen her on the dance floor. That's when Nesta truly lets the wolf roam free. When there's music.' 'Really?' Nesta had told him once, when he'd dragged her out of a particular seedy tavern, that she'd been there for the music. He'd ignored her, thinking it an excuse. 'Yes,' Elain said. 'She was trained in dance from a very young age. She loves it, and music. Not in the way I enjoy a waltz or a gavotte, but in the way that performers make an art of it. Nesta could bring an entire ballroom to a halt when she danced with someone.”

“Nineteen eighty-two is as good a year as any to mark the threshold of a future we're still negotiating. It's been called the information age, the digital age, the new media age. It was the beginning of the "digital turn" that would, in fits and starts, transform music culture . . . .”

“You know, it’s not about proving them wrong. It’s about becoming stronger than the version of you they once broke, the one who stayed, tried, and still wasn’t enough. It’s not even about revenge, it’s about self-respect and self-realization. Because fixing yourself after being torn apart is the loudest comeback.”

“Nebraska made it almost impossible for critics to miss Springsteen's willingness to take a chance in the name of his art. If Springsteen was driven simply by fame and mainstream success, there would have been no good reason to make or release a Nebraska. The album made it impossible to use the word "sellout.”

“Eddie is Iron Maiden's mascot, monster, alter ego - call it what you will. Part supernatural, part primal, part aggressive adolescent, Eddie is a super anti-hero with no backstory. Eddie doesn't give a fuck. He just is. Eddie also gets us off the hook as individuals. Eddie is far bigger and more outrageous than any badly behaved superstar. Eddie makes rock stars obsolete. This comes in handy when you get to your late fifties and rather fancy a quiet night in after playing to 25,000 screaming metal fans.”