Quotessence
Home / Quotes / Quote by Eloisa James

Quote by Eloisa James

“everyone always says that Lord Findleshanks is really a woman. Did you ever look at him closely? He does look like a woman.' 'He has a beard,' Harriet pointed out. 'So did my grandmother.”

Quote by Eloisa James

Book:Duchess by Night
Create image

Work

Duchess by Night

In 'Duchess by Night,' readers are transported to a bygone era where a duchess finds herself entangled in a web of intrigue and romance. As the story unfolds, the duchess navigates the complexities of her own desires and the expectations of her noble status, all while uncovering secrets that could change her life forever. more

Author

Eloisa James
Eloisa James

Eloisa James, born in 1962, is an outstanding professor. She has a profound knowledge in the academic field, particularly in the area of 【Identity Positioning】. more

You May Also Like

“In the early 1830s the writer George Sand, a woman, had a man's overcoat and a pair of boots made for her so she could have the same pleasure - to walk the streets of Paris free to look at whatever she liked. In her autobiography she writes: "I can't express the pleasure my boots gave me ... With those little iron-shot heels, I was on solid pavement. I flew from one end of Paris to the other. It seemed to me that I could go round the world. And then, my clothes feared nothing. I ran out in every kind of weather, I came home at every sort of hour ... No one paid any attention to me, and no one guessed at my disguise ... No one knew me, no one looked at me, no one found fault with me; I was an atom lost in that immense crowd.”

George SandAndrogynyCross DressingFlaneurUrban Exploration
Book:Be with Me Always: Essays
Create image

“Though the actresses who played female boys were of all ages and performed in a vari- ety of acting styles, they were generally small, thin, white, and photogenic, and their performances combined boldness and vulnerability. Their femaleness al- lowed them to convey fragility and androgynous beauty. These performances demonstrate that cross-gender casting, which may seem like an inherently transgressive practice to twenty-first-century scholars, can also uphold conser- vative gender, class, and racial regimes. At the same time, the performances cannot be dismissed as reactionary or antifeminist, because they embodied middle-class women’s sentimental politics and created a space in which wom- en’s bodies had an important role in producing an idealized masculinity.”

FilmLgbtqFilm HistoryCross DressingAmerican CinemaFilm StudiesSilent Film
Book:Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934
Create image