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Quote by Neil Gaiman

“He sat down on a grassy bank and looked at the city that surrounded him, and thought, one day he would have to go home. And one day he would have to make a home to go back to. He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough. He pulled out his book.”

Quote by Neil Gaiman

Book:American Gods: Tenth Anniversary
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American Gods: Tenth Anniversary

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Author

Neil Gaiman
Neil Gaiman

Neil Gaiman, born on November 10, 1960, is a renowned British author. His works span across various genres including fantasy, horror, and science fiction, with notable titles such as 'American Gods' and 'Good Omens'. Gaiman's writing style is distinctive and has won him a dedicated fan base. more

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“You shall not go down good twice to the same river, nor can you go home again. That he knew; indeed it was the basis of his view of the world. Yet from that acceptance of transience he evolved his vast theory, wherein what is most changeable is shown to be fullest of eternity, and your relationship to the river, and the river's relationship to you and to itself, turns out to be at once more complex and more reassuring than a mere lack of identity. You CAN go home again, the General Temporal Theory asserts, so long as you understand that home is a place where you have never been.”

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Book:The Dispossessed: An Ambiguous Utopia
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“The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.”

HomeLife LessonsHouseMemoriesFamilyFamily DramaSiblingsSibling RelationshipsLove Of Home
Book:North Haven
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