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Quote by E.M. Forster

“The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete — the sadness that is often Life, but should never be Art — throbbed in its disjected phrases, and made the nerves of the audience throb.”

Quote by E.M. Forster

Work

A Room with a View

E. M. Forster's 'A Room with a View' is a narrative that delves into the experiences of Lucy Honeychurch, a young woman from a British upper-middle-class family. The story unfolds in Italy and England, as Lucy navigates the complexities of love, societal expectations, and her own evolving sense of self. The novel is renowned for its vivid portrayal of the English upper class and the transformative power of travel and personal discovery. more

Author

E.M. Forster

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“Have you ever talked to Vyse without feeling tired?’ ‘I can scarcely discuss —’ ‘No, but have you ever? He is the sort who are all right so long as they keep to things — books, pictures — but kill when they come to people. That’s why I’ll speak out through all this muddle even now. It’s shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over — playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for you to settle whether you were shocked or no. Cecil all over again. He daren’t let a woman decide. He’s the type who’s kept Europe back for a thousand years. Every moment of his life he’s forming you, telling you what’s charming or amusing or ladylike, telling you what a man thinks is womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the rectory, when I met you both again; so it has been the whole of this afternoon. Therefore — not “therefore I kissed you”, because the book made me do that, and I wish to goodness I had more self-control. I’m not ashamed. I don’t apologise. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore — therefore, I settled to fight him.”