“When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.” ThinkingWritingWholeHappensActorsHouseLostSceneDeeperThings HappenUnconsciousEmail Author:David O. Russell
“I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.” ThinkingWayFeelsLooksPersonsLongHas BeensDifferentCharacterSeemsMovingActorsActingStepsCrazyLike YouEasierLong TimeModelsBiggerDeeperTransitionLike YourselfModelling Author:Liberty Ross
“Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.” PeopleYearsLooksKindMeanMadeMatterWholePastFacesActorsPowerfulFiveSubjectsSittingTwentiesPhotographDeeperDecadesFive YearsClothingsPortraitsSentimentalInventingTwenty FiveMorbidPicture Taking Book:Mao II Source: Mao II