“The Maggie [Alexander Mackendrick, 1954] represents Scotland at its most self-lacerative. Precisely at the moment, the early fifties, when the massive penetration of American capital into Scotland was gathering pace, The Maggie actually sets the two halves of the contradiction - american entrepreneur and Scottish workers in opposition to each other, but with almost wilful perversity the film has the Scots win hands down. In true Kailyard style, what is not achievable at the level of political struggle is attainable in the Scottish imagination.” ScotlandKailyard1954American CapitalistsAlexander Mackendrick Book:Scotch Reels: Scotland in Cinema and Television Source: Scotch Reels: Scotland in Cinema and Television