“Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that."” WantFirstsLooksChildrenRememberNightAudienceSeeingGroupsFrontsSittingFirst TimeTheaterScaryScreensHorribleHalloweenInteractingJamieGroup Of Friends Author:Kevin D. Williamson
“If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.” IfsWantI CanWantedAudienceCryEmotionalHorrorScaryScreensThrillersMake You Cry Author:Kevin D. Williamson
“When the theater is gothic it matches the sensibility of the show. It's also very intimate. The audience is very close to the performers. The show is scary and the scary stuff always works best with an intimacy with the audience. And the show is erotic, and I think erotic always works best when it's close to the audience, as well.” ThinkingWellsShowsStuffAudienceTheaterScaryIntimacyIntimatePerformersSensibilityEroticGothicScary Stuff Author:Frank Wildhorn
“I can only be as good as [the audience members] at acknowledging and owning the information that's coming through ... and sometimes, nobody comes through.... One of the things that I've learned is that I am not an operator and I can't dial direct, ... and even if I do make the connection with the person they want to hear from, there's no guarantee that they're going to come through and tell them what they want to hear.” IfsWantPersonsI CanSometimesAudienceInformationMembersDirectConnectionsScaryI've LearnedGuaranteesGuarantees ThatOperators Author:John Edward
“For the really scary stuff to work at the end you have to fall in love a little bit with the family and want then to be ok. And once you get the audience to buy in on that then they care. They want them to be okay.” WantLittlesEndsCareFallStuffBitsAudienceLittle BitOkayFalling In LoveScaryReally ScaryScary Stuff Author:Ron Livingston
“A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.” PeopleIfsLooksMeanPersonsRealDreamRunningNextDarkLevelsAudienceHappeningsAdvantageTerrorScaryAtmosphereVisualsNightmareFinding YourselfPanicGood Movie Author:Stephen King
“With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.” WayMadeTogetherFilmWatchesAudienceBuildingFitHorrorScarySuspenseScareExpectingEditsBuilding UpLeast Expecting Author:Jeremy Irvine