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Fame Quotes

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Fame Quotes

“Prostrate on earth the bleeding warrior lies, And Isr'el's beauty on the mountains dies. How are the mighty fallen! Hush'd be my sorrow, gently fall my tears, Lest my sad tale should reach the alien's ears: Bid Fame be dumb, and tremble to proclaim In heathen Gath, or Ascalon, our shame Lest proud Philistia, lest our haughty foe, With impious scorn insult our solemn woe.”

“When you have success on the field, you're more popular and you have that fame that comes with it. You realize you're in the public eye more and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say. You're still going to make mistakes from time to time, but you represent an even greater population and people are that much more looking for you to be in the wrong place at the wrong time or fall down or say something really stupid that's going to get you in trouble.”

“Water and air He for the Tenor chose, Earth made the Base, the Treble Fame arose, To th' active Moon a quick brisk stroke he gave, To Saturn's string a touch more sore and grave. The motions strait, and round, and swift, and slow, And short and long, were mixt and woven so, Did in such artful Figures smoothly fall, As made this decent measur'd dance of all. And this is Musick.”

“It's a brutal world out there. If you consider the case of superstar Rajesh Khanna, he was a darling of the masses in his hey days, and his fans resurfaced only after he passed away. Such is the life of actors: one gets so addicted to fame and glory, and then it is very difficult to accept a fall. You are forgotten and only remembered when you die!”

“Consider the different narrative styles within the story, and the glee with which the "moralistic narrator" celebrates Aschenbach's fall - maybe, then, this is a hostile verdict and the international fame is warranted after all (given that Mann modeled his protagonist so closely on himself, it would be quite odd if he had intended Aschenbach's literary inferiority to be a fixed part of the interpretation).”