“Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.” IfsFeelsWritingWellsStoriesUseCan DoNovelWrittenFineDialogueNecksShort StoryYou Can Do ItTireBeing PositiveDialectRave Author:Anne Lamott
“If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.” PeopleIfsFeelsShouldTwoHappensComedyImagineListeningFoolConversationDialogueAbsurdImagine ThatRemarksIrritated Book:The Essays of Arthur Schopenhauer - Counsels and maxims (illustrated) Source: The Essays of Arthur Schopenhauer - Counsels and maxims (illustrated)
“I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.” FeelsBelieveI CanSpeakLanguageDialogueBecause I Can Author:Chita Rivera
“I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.” InspirationalFeelsCharacterPoetryMusicAudienceSceneExperienceMiseryMereTerrorCommunicateScreensDialogueLiftsNarrativeRealmsReachingLinksComposerReach OutGrandeurSound Of MusicGaietyBackground Music Author:Bernard Herrmann