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Feels Quotes

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Feels Quotes

“I believe that I possess this value: to serve Jesus. I am less at peace than if my goal would be to attain a professorship and a good life, but I live. And that gives me the tremendous feeling of happiness, as if one would hear music. One feels uprooted, because one asks, what lies ahead, what decisions should I make-but more alive, happier than those anchored in life. To drift with released anchor.”

“The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.”

“I have consciously sought after those things which make for value, order, richness, spirit and wonder, even though I am often unable to verbalize what I feel when I perceive something beautiful. Sometimes it's a pang or a sensation; at other times it is an awareness of joy and security or pure pleasure. In any event, it is a moment to be celebrated. Beauty justifies itself. The fact that it is beyond definition means nothing.”

“When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.”

“. . . you [film critics] always overstress the value of images. You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose. I was guilty of the same sin when I first started writing for the cinema. . . . Now I feel that only the literary mind can help the movies out of that cul de sac into which they have been driven by mere technicians and artificers.”