“Much later in his life, Auden would borrow a musical metaphor from Dietrich Bonhoeffer and say that Kierkegaard was a 'monodist, who can hear with particular acuteness one theme in the New Testament -- in his case, the theme of suffering and sacrifice -- but is deaf to its rich polyphony.' And for the Auden who emerges in the pages of this volume [Prose, Volume III: 1949-1955], the unique power of Christian doctrine is its polyphonic character, its capacity to address every dimension of our being, to give a comprehensive account of how history and nature relate, and -- decisively in Christ's incarnation, crucifixion, and resurrection -- how they may be reconciled. (The Poet's Prose)” Human NatureReconciliationChristian DoctrineAudenKierkegaardBonhoefferPolyphonyMonody Book:Wayfaring: Essays Pleasant and Unpleasant Source: Wayfaring: Essays Pleasant and Unpleasant
“You were my beloved lacrimarium, my purgatoryx, a red light candle night; a wide lost room in our love's dimension. You were the sunlight reflected upon the moon's eyes, the zephyr of dawn that fell down so conscious. You were my broken unguentarium, a paradox, my funerary and my resurrection. You were the sword and the wound; I was the pain and its sorrow. You were my beloved lacrimarium; once a funereal monody - now my heart's unguentarium and this eternal melody.” LoveLove PoemLove PoemsAthensMonodyIntuitive PoetryLacrimarium Author:Becky M.R.