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Painting Quotes

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Painting Quotes

“But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.”

Art Space Subjects Painting Art Is Aim Illustration Decoration

Book:Working Space

Source: Working Space

“My aim is to give you only the things with which I am completely satisfied, even if it means asking you a little more [time] for them... for if I were to do otherwise I'd turn into a mere painting machine and you would be landed with a pile of incomplete work which would put off the most enthusiastic of art collectors.”

Ifs Giving Mean Littles Art Would Be Turns Painting Machines Asking Aim Mere Satisfied More Time Enthusiastic Incomplete Collectors

Book:Monet by Himself: Paintings, Drawings, Pastels, Letters

Source: Monet by Himself: Paintings, Drawings, Pastels, Letters

“The painters have no copyright on modern art!... I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be - compared to painting - it has different means and aims.”

Source: Edward Weston: The Flame of Recognition: His Photographs Accompanied by Excerpts from the Daybooks & Letters

“The aim of the painting is that the eye should find out what it likes.”

Should Eye Painting Aim Likes

Author:Marion Milner

“The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it has had a much more limited career in photography considered as art. Generally speaking, the honors have gone to the Cordelias.”

Art Careers Gone Subjects Painting Honor Photography Tradition Aim Remains Everyday Portraits Cordelia

Book:On photography

Source: On photography

“With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) - the constituent parts of which remain indistinguishable - with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.”

“Remember always, in painting as in eloquence, the greater your strength, the quieter will be your manner, and the fewer your words; and in painting, as in all the arts and acts of life the secret of high success will be found, not in a fretful and various excellence, but in a quiet singleness of justly chosen aim.”

Art Remember Found Secret Greater Painting Quiet Aim Excellence Various Chosen Fewer Eloquence Singleness

Book:Precious Thoughts, Moral and Religious

Source: Precious Thoughts, Moral and Religious

“Though painting borrows help indeed from colours... it has nothing more wide of its real aim or more remote from its intention than to make a show of colours... to raise a separate and flattering pleasure to the sense.”

Real Helping Shows Pleasure Painting Aim Raises Intention Wide Colour Flattering

Author:Anthony Ashley-Cooper, 10th Earl of Shaftesbury

“I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.”

Ideas Rooms Painting Eating Aim Surprise Studios Dozen Soup Sunflower

Author:Vincent Van Gogh

“My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.”

Artist Painting Aim Impression Intimate Transcription

Book:Edward Hopper, 1882-1967: Hayward Gallery, London, 11 February to 29 March 1981 : a selection from the exhibition Edward Hopper, the art and the artist held at the Whitney Museum of American Art in New York from 16 September 1980 to 25 January 1981

Source: Edward Hopper, 1882-1967: Hayward Gallery, London, 11 February to 29 March 1981 : a selection from the exhibition Edward Hopper, the art and the artist held at the Whitney Museum of American Art in New York from 16 September 1980 to 25 January 1981

“The invention of photography has dealt a mortal blow to the old modes of expression, in painting as well as in poetry, where automatic writing, which appeared at the end of the nineteenth century, is a true photography of thought. Since a blind instrument now assured artists of achieving the aim they had set themselves up to that time, they now aspired, not without recklessness, to break with the imitation of appearances.”

Writing Wells Ends Artist Break Achieve Century Painting Expression Photography Aim Instruments Blind Blow Appearance Invention Mortals Imitation Assured Nineteenth Century Recklessness

Author:Andre Breton