“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.” StillsDifferentUseSeemsCausesResultsObjectsPaintingApproachFlowDirectPaintNotionDenyAccidentsDrawingStill LifeExpressionismAbstract Expressionism Author:Jackson Pollock
“Sometimes the things I learn making paintings or drawings - composition, colour, expressionism, texture - can directly influence the making of a film. Sometimes it's great that they are different, and simply taking a break from one medium to spend time with another, recharges the batteries and I feel refreshed.” FeelsDifferentSometimesFilmBreakInfluencePaintingDrawingMediumsColourCompositionEnd TimesSpend TimeTextureBatteriesExpressionismTaking A Break Author:Dave McKean
“You have to act and this is something that happened in abstract expressionism too, it was a discovery particularly in De Kooning's paintings, great paintings. There's a lot of speed in his work and the speed produces things that only speed can produce.” HappenedProducePaintingDiscoverySpeedAbstractExpressionismAbstract Expressionism Author:Michael Snow