“Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default.” YearsFirstsMadeDoneAbleNew YorkPaintingPaperSixMovedSevenI RealizedDestroyedDefault Author:David Salle
“Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.” WellsKindSeemsTodayTakenFiveAliveNew YorkPaintingWallSix Author:Jackson Pollock
“The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions.” MindLongIdeasNightHouseRoomsCitiesStreetsNew YorkParticularPaintingLong TimeImpressionSquaresInteriorsGlimpseSynthesisCity StreetsStreets At Night Author:Edward Hopper
“I don’t trust painting. At least not in New York. Most painting here relies on formula and repetition, whoring itself to the market. There seems to be no risk and once a painter gets a strategy, very little exploration. As a result, I stopped thinking about painting a long time ago. I prefer forms of art that are more market-resistant, more idea-based, more - for lack of a better word - risky.” ThinkingLittlesArtIdeasSeemsFormResultsRiskNew YorkPaintingStrategyPainterRelyExplorationFormulasRepetitionDon't Trust Author:Kenneth Goldsmith
“One teacher told me that my work belonged in the trash. That day I ran out of the classroom and ended up in the library, where there happened to be a black and white photography exhibition of Robert Rauschenberg's photographs of the streets of New York. The subject of his photos were exactly what I was painting about.” BlackWhiteTeacherHappenedStreetsSubjectsNew YorkPaintingPhotographyLibraryPhotographRanClassroomBlack And WhiteTrashExhibitionsBlack And White Photography Author:Jose Parla
“I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.” IfsFirstsWellsArtMadeRealShowsGuySawsMediaNew YorkPaintingTenMeatInvestorsCopImpressedEstatesChasingGraffitiPackingSold Out Author:Alec Monopoly
“I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.” ThinkingWayShowsSeemsArtistCertainWonderNiceNew YorkPaintingWallSomewhere ElseNice ThingsProvincesSwitzerland Author:Julian Schnabel
“It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.” FeelingsHomeWantedCitiesNew YorkPaintingPaintNew York CityIronicCountryside Author:Brian Froud