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Painting Quotes

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Painting Quotes

“We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king”

“My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present”

“The museum is full of interesting things. All kinds of paintings are there. And then paintings too thick to put in a frame, that they call sculpture. And then there are spectators. with their scorecards, rooting for culture. And spectators of the spectators, looking for love's introduction. And art students taking notes. And old women trying to remember the past. And old men with too much to forget. And tourists, thinking that a museum represents a city. And loafers so poor, they study their soberness here.”

“I have been using the computer as a work aid since the mid-90's. It is extraordinarily well suited to how I think and work and has transformed my practice. Nearly everything I have done in the past 15 years would have been impossible without it. I use the computer for drawing, composing and colour planning everything, from postage stamps to paintings to architectural-scale installations.”

“Over the past two decades, the boundary between photography and other media like painting, sculpture, or performance has become increasingly porous. It would seem that each medium has absorbed the other, leaving the photographic residing everywhere, but nowhere in particular.”