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“We hence acquire this sublime and interesting idea; that all the calcareous mountains in the world, and all the strata of clay, coal, marl, sand, and iron, which are incumbent on them, are MONUMENTS OF THE PAST FELICITY OF ORGANIZED NATURE!”

“What joins the Americans one to another is not a common ancestry, language or race, but a shared work of the imagination that looks forward to the making of a future, not backward to the insignia of the past. Their enterprise is underwritten by a Constitution that allows for the widest horizons of sight and the broadest range of expression, supports the liberties of the people as opposed to the ambitions of the state, and stands as premise for a narrative rather than plan for an invasion or a monument. The narrative was always plural; not one story, many stories.”

“Some god or Weltgeist has been making a movie out of us for the past six thousand years, and now we have turned a corner on the movie set of reality and have discovered the boards propping up the two-dimensional monuments of human history. The movement of humanism has reached its limit, and now at that limit it is breaking apart into the opposites of mechanism and mysticism and moving along the circumference of a vast new sphere of posthuman thought.”

“The existence of very pious feelings, in conjunction with intolerance, cruelty, and selfish policy, has never ceased to surprise and perplex those who have viewed it calmly from a distance. ... It is impossible to exaggerate the evil work theology has done in the world. What destruction of the beautiful monuments of past ages, what waste of life, what disturbance of domestic and social happiness, what perverted feelings, what blighted hearts, have always marked its baneful progress!”

“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelson's Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”