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Quiet Quotes

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Quiet Quotes

“We have all probably noted those sudden moments of quiet - those strange and almost miraculous moments in the life of a big city when there is a cessation of traffic noise - just an instant when there is only the sound of footsteps which serves to emphasize a sudden peace. During those seconds it is possible to notice the sunlight, to notice our fellow humans, to take breath.”

“If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.”

“What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.”

“There's so much going on in Andrei [Bolkonsky]. He's wrangling with these big existential conundrums, and he tries out different routes to fulfillment. He tries falling in love, that doesn't work. He goes to war and searches for military glory, that doesn't work. He does the quiet life of a farmer. He's always active. That's what I loved about him, he's always looking, searching. He's really inquisitive.”

“Aside from that i’m an introvert and i’m a quiet person. The benefit of that is I listen. It’s not like my mouth is open and I broadcast everything and i’m drowning everyone out. When I’m listening to the incredible artists I work with and i’m hearing their specialised advice on what they would do with something then we can, all together, as a big collaborative group, all work together to achieve something together.”

“I think I've indulged in a pathological, chronic nostalgia over the years, which I've traced back to my childhood. I was the last of four children, born well after the other three, so I was left on my own in a big, quiet house where most of the people had left, and even the echoes of a happy family had all died out.”

“Dear God, I prayed, all unafraid (as we're inclined to do), I do not need a handsome man but let him be like You; I do not need one big and strong nor yet so very tall, nor need he be some genius, or wealthy, Lord, at all; but let his head be high, dear God, and let his eye be clear, his shoulders straight, whate'er his state, whate'er his earthly sphere; and let his face have character, a ruggedness if soul, and let his whole life show, dear God, a singleness of goal; then when he comes (as he will come) with quiet eyes aglow, I'll understand that he's the man I prayed for long ago.”

“Truth be told, John said, the one thing in this world I want more than anything else is a great big crowbar, to jimmy myself open and take whatever creature that's sitting inside and shake it clean like a rug and then rinse it in a cold, clear lake like up in Oregon, and then I want to put it under the sun to let it heal and dry and grow and sit and come to consciousness again with a clear and quiet mind.”

“Standing here, in this quiet house where I can hear the birds chirping out back, I think I’m kind of getting the concept of closure. It’s no big dramatic before-after. It’s more like that melancholy feeling you get at the end of a really good vacation. Something special is ending, and you’re sad, but you can’t be that sad because, hey, it was good while it lasted, and there’ll be other vacations, other good times.”

“You know," he said with unusual somberness, "I asked my father once why kenders were little, why we weren't big like humans and elves. I really wanted to be big," he said softly and for a moment he was quiet. "What did your father say?" asked Fizban gently. "He said kenders were small because we were meant to do small things. 'If you look at all the big things in the world closely,' he said, 'you'll see that they're really made up of small things all joined together.' That big dragon down there comes to nothing but tiny drops of blood, maybe. It's the small things that make the difference.”

“I am a quiet man. I tend to think things through and try not to say too much. But here I am, saying perhaps too much. But there are these feelings inside me which need badly to escape, I guess. And this makes me feel relieved because one of my big concerns these past few years is that I've been losing my ability to feel things with the same intensity- the way I felt when I was younger. It's scary- to feel your emotions floating away and just not caring. I guess what's really scary is not caring about the loss.”

“Have you ever been anyone's?" I ask, a feathery whisper in the quiet bedroom. He lifts his head to mine, and I want him so bad I feel consumed inside, like he's already possessed my soul, and now my soul aches for him to possess my body. A powerful emotion tightens his features as he reaches out to cradle my cheek in his big hand, and there's an unexpected fierceness in his eyes, in his touch, as he cups me. "No. And you?" The calluses in his palm rasp on my skin, and I find myself tucking my cheek deeper into them. "I've never wanted to." "Neither have I." The moment is intimate.”