“The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.” KnowsWorldWayRealProblemRealityFormResultsRecordsMaterialsAimCamerasStrivePhotographerChiefsReality Of LifeReal WorldDocumentariesTruthfulness Author:Paul Strand
“(1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture.” DifferencesChanceResultsSubjectsEffectsApproachCamerasPhotographerSignificant Author:Andreas Feininger
“Self-painting is a further development of painting. The pictorial surface has lost its function as sole expressive support. It was led back to its origins, the wall, the object, the living being, the human body. By incorporating my body as expressive support, occurrences arise as a result, the course of which the camera records and the viewer can experience” HumansSelfBodyCoursesLostResultsSupportRecordsObjectsPaintingWallDevelopmentFunctionCamerasSurfaceAriseSoleViewersHuman BodyExpressivePictorialIncorporating Author:Gunter Brus
“It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.” StillsAgeArtistResultsBehindsWatchesCamerasPhotographerExcitedDarkroom Author:John Sexton