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Secret Quotes

“Like all truly pure souls she [Chantal] quickly resigned herself to past faults, thought only of how to repair whatever harm they had done. "Of all my daughters, you are certainly the least bothered by scruples of conscience," Abbé Chevance used to say.... Even sin, once the will is detached and no longer nourishes it, withers and dies sterile. It is in the secret of intentions, like in a decomposing humus, in the dark forest of future sins, unpardoned sins, half dead, half living, that new poisons are distilled.”

“The secrets of the world are very marvellous, but they are not themselves half so wonderful as the way in which they become known to the world.”

“Since I learned the secret and started applying it to my life, my life has truly become magical. I think the kind of life that everybody dreams of is one I live on a day to day basis. I live in a four-and-a-half-million-dollar mansion. I have a wife to die for. I get to vacation in all the fabulous spots of the world. I've climbed mountains. I've explored. I've been on safaris. And all of this happened and continues to happen, because of knowing how to apply The Secret.”

“There is a secret and wholesome conviction in the heart of every man or woman who has written a book that it should be no easy matter for an intelligent reader to lay down that book unfinished. There is a pardonable impression among reviewers that half an hour in its company is sufficient.”

“I loved him. I hated him. I wanted to kiss him. I wanted to strangle him. I was a walking, talking contradiction. There were days I was so torn by my conflicting emotions that I thought I would be ripped in half. Staring at my best friend and secret object of my undying love, I wondered if I would ever get off this crazy train of emotions swirling around inside me. I didn't like feeling this way. But the truth was I couldn't remember a time I didn't feel this aching need to completely immerse myself in all things Daniel Lowe.”

“The secret of understanding poetry is to hear poetry's words as what they are: the full self's most intimate speech, half waking, half dream. You listen to a poem as you might listen to someone you love who tells you their truest day. Their words might weep, joke, whirl, leap. What's unspoken in the words will still be heard. It's also the way we listen to music: You don't look for extractable meaning, but to be moved.”