“I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.” IfsGivingArtistSongWorryRecordsWiseProduceMinesPerspectiveEasierStartingProductionsListenersNew Perspective Author:Greg Laswell
“You have to love writing a song and architecture. You have to give it a form. It is my job to create a sonic landscape. I like to create ambiance and atmosphere. The writing is the intimate part of it. It is a sketch. The production is the whole painting.” GivingWritingWholeJobsFormSongPaintingProductionsArchitectureLandscapeAtmosphereIntimateAmbiance Author:Keren Ann
“Most of the producers I work with are decent mixers. We'll wind up in these spots where I'll get the mix back and I'll put a few more pieces of production together and send it back to the mixer. It's so easy to change the entire perspective of the song by changing the mix.” TogetherSongEasyPiecesWindPerspectiveProductionsProducersSpotsDecent Author:Yukimi Nagano
“My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles.” IfsWritingEndsPlayAbleWantedSongFeltGoalRoomsHeardUnderstoodGuitarProductionsStudiosVersionsBells Author:Madonna Ciccone
“When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.” WantTryingSaidSometimesHardSongRecordsProductionsOver ItVocal Author:Sampha
“The main things to rebel against - over-production, too much technology, overthinking. It's a spoiled mentality; everything is too easy. If you want to record a song, you can buy Pro Tools and record four hundred guitar tracks. That leads to overthinking, which kills any spontaneity and the humanity of the performance.” IfsWantSongHumanityEasyTechnologyRecordsToo MuchFourHundredToolsPerformancesGuitarTrackProductionsRebelMentalitySpontaneitySpoiledOverthinking Author:Jack White
“When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.” PeopleIfsKnowsWritingMeanLittlesEndsShowsSongHappeningsConceptsCapacityRegardProductionsCdsQuirkyBest Of The Best Author:Michael Patrick Walker
“When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.” WritingFirstsIdeasUsedSongStuffSidesFourSingingTrackProductionsMelodyVehicleLyrical Author:M. Ward
“If you were a performer that only had an acoustic instrument, back in the day you couldn't hide behind your guitar pedals or the production or the vibe. There was performance and then there was the song, and that was all that you had.” IfsSongBehindsPerformancesInstrumentsGuitarProductionsPerformersAcousticsBack In The DayPedals Author:Will Sheff