“I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.” IfsNeedsPlayMomentsInspirationWaitingMiddleStageCommunicationLuckyMethodRehearsalYaleGodotWaiting For GodotStanislavski Author:Sam Waterston
“I do the best I can - I know my way around [Russian method acting pioneer] Stanislavski, but I can't take myself seriously like that. I respect people who do it, of course. I just think I'm lucky to still be working at 73. You reach a point in life where you just think, "Show up, do your job, make sure the cheque's on the way," and that's it. I'm not hungry to do anything more, really.” PeopleThinkingKnowsWayStillsI CanShowsJobsCoursesActingLuckyMethodHungryMy WayDo The BestPioneersRespect PeopleChequesMethod ActingPoints In LifeStanislavski Author:Anthony Hopkins
“It was only when I went to acting school that I was like, "You are absolutely such a pigheaded freak show that you thought you, at the age of 12 or 13, could have a better understanding of Stanislavski. Why did you think that you didn't need to go to school?" It was quite funny. But, I was certainly inspired.” ThinkingNeedsShowsAgeSchoolUnderstandingActingLike YouInspiredFreakStanislavski Author:Giles Matthey
“Stanislavski was right, you can find fresh pain every time you discover what you pretty much already know.” KnowsPainStanislavski Book:Diary: A Novel Source: Diary: A Novel
“The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.” IfsMayDifferentCharacterHelpingJobsChoicesActorsFatherGivenAnswersActingSituationMagicCircumstancesSceneToolsNotesScriptsTheatreCraftsAnalysisAppropriateStanislavski Author:Bruce Miller
“My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.” IfsWritingCharacterStoriesHeavyMentorStanislavski Author:Chris Zylka