“There are fashions in reading, even in thinking. You don't have to follow them unless you want to. On the other hand, watch out. Don't stick too closely to your favorite subject. That would keep you from adventuring into other fields. It's silly to build a wall around your interests.” ThinkingWantHandsReadingInterestWatchesSubjectsFashionFieldsWallSticksSillyYour FavoriteFavorite SubjectAdventuring Author:Walt Disney
“For years I study. I look long at olive trees, all gray and silver, and watch the sunlight. Ah, yes, I am ver' lazy, but I see after I look long that it is perspective that give it this quality. Perspective, and absolute faith to the subject.” GivingYearsLooksLongQualityWatchesStudyTreeSubjectsPerspectiveAbsolutesLazySilverGraySunlightOlivesOlive Trees Author:Ugo Mochi
“It's hard to look at anything with an objective eye. I think people bring themselves into the equation when they watch a movie. They bring their own prejudices, their own biases, their own feelings toward the subject matter, the characters.” PeopleThinkingLooksMatterHardCharacterFeelingsEyeWatchesSubjectsPrejudiceObjectivesEquationsSubject Matter Author:James Ponsoldt
“The most telling one was recently on a plane. This guy very dressed up and formal - the watch, the shoes, the cufflinks, the whole nine yards - he came at me, and I thought I was going to get nailed. But he literally came up to me and just gave me a hug and said, "Thank you for introducing me to a subject that I didn't know anything about." In those moments it always clicks for me what we're doing here.” KnowsSaidWholeMomentsGuyWatchesSubjectsShoesNinePlanesIntroducingHugFormalYardsThis GuyClicksDressed Up Author:Jeffrey Tambor
“One impulse of photography, as immediate as its impulse to extend the visible, is to theatricalize its subjects. The photographer's command, Watch the birdie! is essentially a stage direction.” WatchesSubjectsStagePhotographyPhotographerCommandImpulseVisibleStage Directions Book:The World Viewed: Reflections on the Ontology of Film Source: The World Viewed: Reflections on the Ontology of Film