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Women S Bodies Quotes

Browse 11 quotes about Women S Bodies.

Women S Bodies Quotes

“Women have been programmed to view our bodies only in terms of how they look and feel to others, rather than how they feel to ourselves, and how we wish to use them. We are surrounded by media images portraying women as essentially decorative machines of consumer function, constantly doing battle with rampant decay. (Take your vitamins every day and he might keep you, if you don’t forget to whiten your teeth, cover up your smells, color your grey hair and iron out your wrinkles....) As women, we fight this depersonalization every day, this pressure toward the conversion of one’s own self-image into a media expectation of what might satisfy male demand.”

“.... freedom from an interfering government is not the only barrier to genuine autonomy. The right to reflect is not universal. It is a privilege afforded to those of us in affluent societies who have time to spare, and who are not otherwise burdened by fundamental problems, like poverty, malnutrition or ill health, problems that, at least in male-dominated societies, women suffer disproportionately. Add to this women’s lack of equality under the law in those same societies, as well as their lack of equal access to education and basic social institutions of welfare, and it becomes clear that it is not just women’s bodies but their basic human rights that are under attack in male-dominated societies.”

“The problem is not that erotically charged images can’t also be seen as culturally valuable expressions (they can), but that woman’s highest cultural expression has been as a passive sex object, and not as an artist or creator of culture herself. This has limited what women have been able to achieve in a patriarchal society that cannot separate women’s value and worth from a very fixed idea of their sexuality.”

“Picasso and Modigliani’s ‘Venuses’ represent a sort of iconoclasm in their self-conscious rejection of the cold, perfectly-finished, stuffy beauty of the Western tradition of art. For the contemporary viewer they have become a reassuring confirmation of left-of-centre politics, of anti-establishment positions and of an intellectual kudos that doesn’t need art to look classical to be meaningful. And the frankness of the male artist’s unflinchingly libidinal vision is taken as evidence of the separation from restrictive bourgeois respectability and taste.”