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“The black officer checks Daddy while his partner glances around at all of the onlookers. There's quite a few of us now. Ms. Yvette and a couple of her clients stand in her doorway, towels around the clients' shoulders. A car has stopped in the street. "Everyone, go about your own business," the white one says. "No, sir," says Tim. "This is our business.”

“A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.”

“You mean when you called Khalil a drug dealer?" He nods. "Even if he was, I knew that boy. Watched him grow up with you. He was more than any bad decision he made," he says. "I hate that I let myself fall into that mind-set of trying to rationalize his death. And at the end of the day, you don't kill someone for opening a car door. If you do, you shouldn't be a cop.”

“One of my biggest influences as a writer is J. K. Rowling. I grew up with Harry Potter. One thing I absolutely loved was how every single person in Harry's world was so three-dimensional—it was as if each one was the main character in his or her own story and was just making a guest appearance in Harry's story. I strive to do that as a writer. I want every side character to be the main character of his or her own story.”

“— Por que você sempre ouve essas coisas velhas? — Para com isso! Tupac era o melhor. — É, o melhor vinte anos atrás. — Que nada, mesmo agora. Ouve só isso. — Ele aponta para mim, o que quer dizer que vai entrar em um dos momentos filosóficos de Khalil. — ’Pac disse que Thug Life, “vida bandida”, queria dizer The Hate U Give Little Infants Fucks Everybody, ou “o ódio que você passa pras criancinhas fode com todo mundo”. Eu levanto as sobrancelhas mais uma vez. — Como é? — Escuta! Presta atenção nas iniciais. The Hate U Give Little Infants Fucks Everybody. T-H-U-G-L-I-F-E. Isso quer dizer que o ódio que a sociedade nos dá quando somos pequenos morde a bunda dela quando crescemos e ficamos doidos. Entendeu?”

“I swear, I don't understand white people. Breadcrumbs on macaroni, kissing dogs on the mouth--" "Treating their dogs like they're their kids," I add. "Yeah!" says DeVante. "Purposely doing shit that could kill them, like bungee jumping." "Calling Target 'Tar-jay,' like that makes it fancier," says Seven. "Fuck," Chris mutters. "That's what my mom calls it." Seven and I bust out laughing.”

“It would be easy to quit if it was just about me, Khalil, that night, and that cop. It's about way more than that though. It's about Seven. Sekani. Kenya. DeVante. It's also about Oscar. Aiyana. Trayvon. Rekia. Michael. Eric. Tamir. John. Ezell. Sandra. Freddie. Alton. Philando. It's even about that little boy in 1955 who nobody recognized at first--Emmett. The messed-up part? There are so many more. Yet I think it'll change one day. How? I don't know. When? I definitely don't know. Why? Because there will always be someone ready to fight. Maybe it's my turn.”

“I have to think about that one for a minute. “Everybody’s pissed ’cause One-Fifteen hasn’t been charged,” I say, “but also because he’s not the first one to do something like this and get away with it. It’s been happening, and people will keep rioting until it changes. So I guess the system’s still giving hate, and everybody’s still getting fucked?” Daddy laughs and gives me dap. “My girl. Watch your mouth, but yeah, that’s about right. And we won’t stop getting fucked till it changes. That’s the key. It’s gotta change.” A lump forms in my throat as the truth hits me. Hard. “That’s why people are speaking out, huh? Because it won’t change if we don’t say something." "Exactly. We can't be silent." "So I can't be silent.”