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Anna Quindlen

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“Having children can smooth the relationship, too. Mother and daughter are now equals. That is hard to imagine, even harder to accept, for among other things, it means realizing that your own mother felt this way, too--unsure of herself, weak in the knees, terrified about what in the world to do with you. It means accepting that she was tired, inept, sometimes stupid; that she, too, sat in the dark at 2:00 A.M. with a child shrieking across the hall and no clue to the child's trouble.”

“I think the gift of my mother's death, if anything so terrible can be said to have an upside to it, is that I was always keenly aware that life was fleeting, and that you'd better live while you have the chance. As I say in the book, since I was 19 years old I felt like I was living for two, and when I out-lived my mother, when I got into my forties, it felt like a miracle to me.”

“I think what saved me, as a writer, is that there are really two breaking points in my life. One was when I was 19 and my mother died, and one was when I was 31 and my first child was born. And that sort of gave me a kind of rebirth that I think has been invaluable to me as a novelist, in terms of seeing the world anew.”

“[After my mother died, I had a feeling that was] not unlike the homesickness that always filled me for the first few days when I went to stay at my grandparents'' house, and even, I was stunned to discover, during the first few months of my freshman year at college. It was not really the home my mother had made that I yearned for. But I was sick in my soul for that greater meaning of home that we understand most purely when we are children, when it is a metaphor for all possible feelings of security, of safety, of what is predictable, gentle, and good in life.”