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Cornell Woolrich

Cornell Woolrich Quotes

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“First, all I could see was this beautiful face, this beautiful girl's face; like a white, slightly luminous mask, swimming detachedly against enfolding darkness. As if a little private spotlight of its own was trained on it from below. It was so beautiful and so false, and I seemed to know it so well, and my heart was wrung. There was no danger yet, just this separate, shell-like face mask standing out. But there was danger somewhere around, I knew that already; and I knew that I couldn't escape it. I knew that everything [ was about to do, I had to do, I couldn't avoid doing. And yet, oh, I didn't want to do it. I wanted to turn and flee, I wanted to get out of wherever this was. ("Nightmare")”

“As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")”

“When she comes down to supper I don't like her any better; in fact, a hell of a lot less. She's put on a shiny dress, all fishscales, like this was still India or the boat. On her head she's put a sort of beaded cap that fits close-like a hood. A mottled green-and-black thing that gleams dully in the candlelight. Not a hair shows below it, you can't tell whether she's a woman or what the devil she is. Right in front, above her forehead, there's a sort of question-mark worked into it, in darker beads. You can't be sure what it is, but it's shaped like a question mark. ("Kiss of the Cobra")”