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“Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land who caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.”

“It hadn't been a coincidence that Chase slyly mentioned marriage as bait, immediately bedded her, then dropped her for someone else. She knew from her studies that males go from one female to the next, so why had she fallen for this man? His fancy ski boat was the same as the pumped-up neck and outsized antlers of a buck deer in rut: appendages to ward off other males and attract one female after another. Yet she had fallen for the same ruse as Ma: leapfrogging sneaky fuckers. What lies had Pa told her; to what expensive restaurant had he taken her before his money gave out and he brought her home to his real territory - a swamp shack? Perhaps love is best left as a fallow field.”

“Here- instead of the estuaries and enormous sweeps of grass as in her marsh- clear water flowed as far as she could see through a bright and open cypress forest. Brilliant white herons and storks stood among the water lilies and floating plants so green they seemed to glow. Hunched up on cypress knees as large as easy chairs, they ate pimento-cheese sandwiches and potato chips, grinning as geese glided just below their toes.”

“Alone, she'd been scared, but that was already humming as excitement. There was something else, too. The calmness of the boy. She'd never known anybody to speak or move so steady. So sure and easy. Just being near him, and not even that close, had eased her tightness. For the first time since Ma and Jodie left, she breathed without pain; felt something other than the hurt. She needed this boat and that boy.”

“Her collections matured, categorized methodically by order, genus, and species; by age according to bone wear; by size in millimeters of feathers; or by the most fragile hues of greens. The science and art entwined in each other’s strengths: the colors, the light, the species, the life; weaving a masterpiece of knowledge and beauty that filled every corner of her shack. Her world. She grew with them—the trunk of the vine—alone, but holding all the wonders together. But just as her collection grew, so did her loneliness. A pain as large as her heart lived in her chest. Nothing eased it. Not the gulls, not a splendid sunset, not the rarest of shells. Months turned into a year. The lonely became larger than she could hold. She wished for someone’s voice, presence, touch, but wished more to protect her heart.”

“Then, as she whirled around, she bumped into Tate, who had stood, and they froze, staring into each other’s eyes. They stopped laughing. He took her shoulders, hesitated an instant, then kissed her lips, as the leaves rained and danced around them as silently as snow. She knew nothing about kissing and held her head and lips stiff. They broke away and looked at each other, wondering where that had come from and what to do next. He lifted a leaf gently from her hair and dropped it to the ground. Her heart beat wildly. Of all the ragged loves she’d known from wayward family, none had felt like this. “Am I your girlfriend now?” she asked. He smiled. “Do you want to be?” “Yes.” “You might be too young,” he said. “But I know feathers. I bet the other girls don’t know feathers.” “All right, then.” And he kissed her again. This time she tilted her head to the side and her lips softened. And for the first time in her life, her heart was full.”

“Last night, dancing alone on the lagoon shore, swaying about with the moon and mayflies, she'd imagined she was ready. Thought she knew all about mating from watching doves. No one had ever told her about sex, and her only experience with foreplay had been with Tate. But she knew the details from her biology books and had seen more creatures copulating- and it wasn't merely "rubbing their bottoms together" like Jodie had said- than most people ever would. But this was too abrupt- picnic, then mate the Marsh Girl. Even male birds woo the females for a while, flashing brilliant feathers, building bowers, staging magnificent dances and love songs. Yes, Chase had laid out a banquet, but she was worth more than fried chicken. And "Dixie" didn't count as a love song. She should've known it would be like this. Only time male mammals hover is when they're in the rut.”

“Most men go from one female to the next. The unworthy ones strut about, pulling you in with falsehoods. Which is probably why Ma fell for a man like Pa. Tate wasn't the only guy who left me. Chase Andrews even talked to me about marriage, but he married someone else. Didn't even tell me; I read it in the paper." "I'm so sorry. I am, but, Kya, it's not just guys who are unfaithful. I've been duped, dropped, run over a few times myself. Let's face it, a lot of times love doesn't work out. Yet even when it fails, it connects you to others and, in the end, that is all you have, the connections. Look at us; you and I have each other now, and just think, if I have kids and you have kids, well, that's a whole new string of connections. And on it goes. Kya, if you love Tate, take a chance." Kya thought of Ma's painting of Tate and herself as children, their heads close together, surrounded by pastel flowers and butterflies. Maybe a message from Ma after all.”

“There were two streets: Main ran along the oceanfront with a row of shops; the Piggly Wiggly grocery at one end, the Western Auto at the other, the diner in the middle. Mixed in there were Kress's Five and Dime, a Penney's (catalog only), Parker's Bakery, and a Buster Brown Shoe Shop. Next to the Piggly was the Dog-Gone Beer Hall, which offered roasted hot dogs, red-hot chili, and fried shrimp served in folded paper boats. No ladies or children stepped inside because it wasn't considered proper, but a take-out window had been cut out of the wall so they could order hot dogs and Nehi cola from the street.”

“Ma'll be back," he said. "I dunno. She's wearin' her gator shoes." "A ma don't leave her kids. It ain't in 'em." "You told me that fox left her babies." "Yeah, but that vixen got 'er leg all tore up. She'd've starved to death if she'd tried to feed herself 'n' her kits. She was better off to leave 'em, heal herself up, then welp more when she could raise 'em good. Ma ain't starvin', she'll be back." Jodie wasn't nearly as sure as he sounded, but said it for Kya. Her throat tight, she whispered, "But Ma's carryin' that blue case like she's goin' somewheres big.”

“She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters: Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy." Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times. She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier." At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again. Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.”

“Broken Gull of Brandon Beach Winged soul, you danced the skies, and startled dawn with shrilling cries. You followed sails and braved the sea, then caught the wind back to me. You broke your wing; it dragged the land and etched your mark upon the sand. When feathers break, you cannot fly, but who decides the time to die? You disappeared, I know not where. But your wings-marks still linger there. A broken heart cannot fly, But who decides the time to die?”

“In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: ... she's gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I'll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the marsh's big sweep. He imagined his own sister lost out there. His dad was right- poems made you feel something.”

“She knelt and scooped sand in her hands, sifting it through her fingers, examining organisms left squiggling in her palm. He smiled at the young biologist, absorbed, oblivious. He imagined her standing at the back of the birding group, trying not to be noticed but being the first to spot and identify every bird. Shyly and softly, she would have listed the precise species of grasses woven into each nest, or the age in days of a female fledgling based on the emerging colors of her wing-tips. Exquisite minutiae beyond any guidebook or knowledge of the esteemed ecology group. The smallest specifics on which a species spins. The essence.”

“Tate couldn't stop staring. She must be thirteen or fourteen, he thought. But even at that age, she had the most striking face he'd ever seen. Here large eyes nearly black, her nose slender over shapely lips, painted her in an exotic light. She was tall, thin, giving her a fragile, lithesome look as though molded wild by the wind. Yet young, strapping muscles showed through with quiet power.”

“Then something moved on the hall floor, just outside the bars. Her eyes swung there. Sunday Justice sat on his haunches staring at her dark eyes with his green ones. Her heart raced. Locked up alone all these weeks, and now this creature could step wizardlike between the bars. Be with her. Sunday Justice broke the stare and looked down the hall, toward the inmates' talk. Kya was terrified that he would leave her and walk to them. But he looked back at her, blinked in obligatory boredom, and squeezed easily between the bars. Inside. Kya breathed out. Whispered, "Please stay." Taking his time, he sniffed his way around the cell, researching the damp cement walls, the exposed pipes, and the sink, all the while compelled to ignore her. A small crack in the wall was the most interesting to him. She knew because he flicked his thoughts on his tail. He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing. Afraid to move, she sat stiff until her leg cramped, then shifted slightly to stretch her muscles. Sunday Justice, without opening his eyes, slid off her lap and curled up next to her side. She lay down fully clothed, and they both nestled in. She watched him sleep, then followed. Not falling toward a jolt, but a drifting, finally, into an empty calm. Once during the night, she opened her eyes and watched him sleeping on his back, forepaws stretched one way, hind paws the other.”