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“There was a florist at the corner, closed for the night. I stopped in my tracks. Along with the heavy branches of lilacs and tangled stems of forsythia was a fluffy mound of tiny sleeping chicks- a living, breathing Easter basket. Paris continued to surprise me; instead of the slick consumerism of a twenty-first-century world capital, it was the little things, the living things, that made me smile.”

“The oblong tower of the church, with its wrought-iron steeple, caught the last reflections of the sun against the hills. This is what a cinematographer would call the golden hour, the glowing time just after the sun sinks below the horizon and before the dark sets in. It's the watercolor skies--- discreet layers of cotton-candy pink, dusky rose, and periwinkle, when the fields are their deepest green, and the wheat has a halo that rises from the surface. We were standing on the medieval ramparts, the walls that once protected this small community from the hostilities of the outside world. Just below us was a field of lavender, the rows tidy and symmetrical. Just behind, a hedge of rosemary bushes. In the distance I could make out the summit of Reillanne, golden city on a hill.”