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“We lived in the country, I went to school, and - an important detail - I slept in my parents' room. At night it was my father's habit to read aloud to my mother. Though he was a Greek Orthodox priest, he would read anything, doubtless assuming that at my age I wouldn't understand. Usually I didn't even listen and fell asleep, unless the text was some gripping story. One night I pricked up my ears. He was reading the scene from a biography of Rasputin where the father, on his deathbed, calls his son to him and says: 'Go to Saint Petersburg and make yourself master of the city, fear nothing and no one, for God is an old hog.' Such an enormity in my father's mouth, for whom the priesthood was not a joke, impressed me as much as a conflagration or an earthquake. But I also distinctly recall - this was over fifty years ago - that my emotion was followed by a strange, dare I say a perverse pleasure.”

“No mental state is less creative than mild sadness, the very negation of inspiration. Everything depends on the level of sadness, on the frequency of its vibrations. At a certain level it is poetical, at another musical, and finally religious. Thus there are different kinds of sadness: of poets, of musicians, of saints. The sadness of poets or musicians leaves their heart, goes around the world, and returns like an echo. The sadness of saints also leaves the heart but it stops in God, thus fulfilling every saint's secret wish, to become his prisoner.”