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Emily Henry Biography

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“I don't know how to talk along the surface of things, but I also don't want to unearth the ugly stuff, over and over again, for people who are just passing through my life. It's depleting. Like every time I dole out a kernel of my history to someone who's not going to be a fixture in my life, a piece of me gets carried away, somewhere I can never get it back. You can't untell someone your secrets. You can't unsay those delicate truths once you learn you can't trust the person you handed them to.”

“I've never met someone who is so perfectly my favorite person. When I think about being with you every day, no part of me feels claustrophobic. And when I think about having to have the kinds of fights with you that Naomi and I used to have, there's nothing scary about it. Because I trust you, more than I've ever trusted anyone - The world looks different than I ever thought it could be, and I don't want to look for what's broken or what could go wrong. I don't want to brace myself for the worst and miss out on being with you. I want to be the one who gives you what you deserve - and I don't think I ever could deserve any of that, and I know this things between us isn't a sure thing, but that's what I want to aim for with you. Because I know no matter how long I get to love you, it will be worth whatever comes after.”

“Sure, love happens," he said finally. "But it's better to be realistic so shit is not constantly blowing up in your face. And love is way more likely to blow up in your face than to bring eternal happiness. And if it doesn't hurt you, then you're the one hurting someone else. "Entering a relationship is borderline sadomasochistic. Especially when you can get everything you would from a romantic relationship from a friendship, without destroying anyone's life when it inevitably ends.”

“It does.” I scrunch my eyes tight. “It fucking sucks.” I didn’t know the power of those words. They fix nothing, do nothing, but just saying them feels like planting a stake into the ground, pinning us together at least for this moment. It sucks, and I can’t change that, but I’m here, with my sister, and somehow we’ll get through it. You can take the city person out of the city, but the city will always be in them. I think it’s the same for sisters. Anywhere we go, we won’t leave each other. We couldn’t even if we wanted to. And we don’t. We never will.”

“He smiles down at me, and it feels like a fist on my heart, a tight hug that verges on a heart attached. 'Because there's nowhere I wouldn't go for you. And if you get out to Montana and realize there's somewhere else you need to be, there's nothing I'm not willing to do to make it work. I'd rather have you five days a year than anyone else all the time. I'd rather argue with you than not talk, and whether we're together or we're not, I'm yours, so let's be together, Harriet. As much as we can. As long as we can. As soon as we can. Everything else, we'll figure out later.”

“I can miss my dad and hate him at the same time. I can be worried about this book and torn up about my family and sick over the house I'm living in, and still look at lake Michigan and feel overwhelmed by how big it is. I spent all last summer thinking I'd never be happy again, and now, a year later, I still feel sick and worried and angry, but at moments, I'm so happy. Bad things don't dig down through your life until the pit's so deep that nothing good will ever be big enough to make you happy again. No matter how much shit, there will always be wildflowers. There will always be Pete's and Maggies and rainstorms in forests and sun on waves.”

“As a kid, I was a loner', I explain, 'and I always figured that when I grew up, I'd leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and - I don't know. I don't feel lonely anymore. Because no matter what makes those people different, they're all just trying to get somewhere, waiting to reach someone.”

“I felt so lost again. Every time I started to find my way, I seemed to slip further down. How could I trust what Gus and I have? How could I trust my own feelings? People were complicated. They weren't math problems; they were collections of feelings and decisions and dumb luck. The world was complicated too, not a beautifully hazy French film, but a disastrous, horrible mess, speckled with brilliance and love and meaning.”

“In books, I'd always felt like the Happily Ever After appeared as a new beginning, but for me, it didn't feel like that. My Happily Ever After was a strand of strung-together happy-for-nows, extending back not just to a year ago, but to thirty years before. Mine had already begun, and so this day was neither an ending nor a beginning. It was just another good day. A perfect day. A happy-for-now, so vast and deep that I knew — or rather believed — I didn't have to worry about tomorrow.”

“When do you think you stop?” I ask. “When you’re forty? When they die?” I shoot him a teasing look. “When you win a Pulitzer?” He scoffs quietly. “No, not then. Because then, suddenly, they’re incredibly proud, but they’re proud of the accomplishment, not of the work. So you feel like you have to keep accomplishing instead of just creating. It affirms the idea that the value in what you do is how people react to it, and not just in the making of it. I’ve written stuff I’m really proud of that hardly anyone read. I’ve written stuff I’m proud of that no one liked. That doesn’t mean it didn’t deserve to be written.” Now I’m genuinely smiling, my mood lifting almost instantly. “That’s a nice thought.” His huge shoulders lift in a shrug. “It’s true. How many of your favorite shows got canceled? How many of the best albums barely sold when they came out? I mean, It’s a Wonderful Life was a box office flop in its time. If everyone who worked on that movie had known, could see how things were going to pan out in the short term, would they have even bothered to make it? And then the world would’ve lost out on something beautiful. Just because something doesn’t make money or win awards doesn’t mean it doesn’t have value. Or doesn’t deserve to exist. The job is alchemy. You take a hunk of rock and you try to turn it into gold, and the gold isn’t even really the point.” “Right, because the goal is immortality,” I joke. “It’s permanence,” he says. “Not, like, having your name on the side of a fucking airplane or skyscraper, or some shit like that. But bringing something intangible into the world that can live on without you. Something bigger than the person who made it. And even then, the goal is secondary to the process. The process is for us. It changes us in ways that can’t be measured. At least, that’s what I’ve always thought.” My grin is getting bigger by the second.”

“We may be different, but in this moment we're feeling the exact same thing: the sad kind of bliss where you realize, suddenly, how perfect your life really has been all along. So perfect it hurts, and you could let yourself weep if you wanted. So perfect that even though everything you know is ending, you truly believe life will continue to be beautiful, even—or maybe especially—in those pure moments of loss.”

“The thought breaks my heart a little for my parents. For my dad, who worked nearly every Monday through nearly every Friday at a job he didn’t like enough to ever talk about, and I understand that something was stolen from him and he accepted it. Because we needed him to, or because he believed we did. And for my mom, who left behind one home to follow him and never quite found another. I duck into the shop and buy four bottles of campfire maple syrup. One for Parth and Sabrina, one for Cleo and Kimmy, and one for each of my parents. I want them both to have every drop. I want them to have everything they’ve ever wanted.”