“It's true, I do sometimes suspend myself over the canvas, but mostly I work at a table when I'm making a painting. When I use 'The Rig,' my feet are firmly anchored. I lower myself horizontally just long enough to make a brush stroke - a matter of seconds - and then I'm upright again. My assistant then erases the painting quickly with a squeegee and I go for it again... until I get it right. It's like trying to hit a home run.” TryingLongSometimesMatterEnoughUseHomeRunningFeetPaintingTablesSecondsCanvasStrokesBrushesEraseAssistantsHome RunMethodologyRigsBrush Strokes Author:James Nares
“It's a fine balance between design and the thing making itself happen. The stroke has to have complete precision to work. Sometimes I lose it on the exit. You can't fudge it. It ruins the whole thing.” The resulting figures are almost always contained within the rectangle. “It's less of a window if I keep it within the confines of the canvas, but there's almost always a drip that's an umbilical cord.” IfsSometimesWholeHappensLosesFiguresDesignFineBalanceWindowRuinsCanvasStrokesExitPrecisionCordsFudgeUmbilical CordRectangles Author:James Nares
