“I was pretty impressed during the opening of one of my shows, when the five-year-old daughter of a well-known movie actress took a running jump at one of my paintings, like she was diving into a swimming pool. I preferred to treat her impulse as a compliment rather than insult. Sadly she hurt herself more than the painting.” YearsWellsChildrenShowsRunningHurtKnownFivePaintingDaughterTreatsActressesOpeningImpulseFive YearsInsultComplimentSwimmingPoolImpressedWell KnownDivingFive Year OldsSwimming Pool Author:James Nares
“It's true, I do sometimes suspend myself over the canvas, but mostly I work at a table when I'm making a painting. When I use 'The Rig,' my feet are firmly anchored. I lower myself horizontally just long enough to make a brush stroke - a matter of seconds - and then I'm upright again. My assistant then erases the painting quickly with a squeegee and I go for it again... until I get it right. It's like trying to hit a home run.” TryingLongSometimesMatterEnoughUseHomeRunningFeetPaintingTablesSecondsCanvasStrokesBrushesEraseAssistantsHome RunMethodologyRigsBrush Strokes Author:James Nares
“What really interests me about capturing and suspending movement is that I get to experience something invisible and inaudible, as elusive and fleeting as thought itself, and give it form... Maybe my paintings are all just little fragments of the Cosmic Dance suspended in time.” GivingLittlesFormInterestMovementPaintingInvisibleCosmicFleetingFragmentsElusiveSuspended Author:James Nares
“My paintings have an ongoing dialogue with photography. There are many painters who would say the same, I'm sure. The difference is that I'm thinking more about the temporal aspect of photography, rather than the visual.” ThinkingDifferencesPaintingPhotographyAspectDialoguePainterVisualsOngoing Author:James Nares
