“My teacher introduced me to this photographer Eugène Atget. He was a French photographer in the late 1800s up until 1927 in Paris. He didn't consider himself an artist, but he was probably one of the artists of the 20th century. This guy documented all of Paris during those years. It's unbelievable. The books are phenomenal. The Museum of Modern Art has all his stuff now and [American photographer] Berenice Abbott saved his work. Not very much is known about his life, but the work is unreal and it totally spoke to me. He was the only artist for a number of years that I cared about at all.” YearsArtBookArtistGuyStuffNumbersKnownTeacherModernCenturyLatePhotographerSavedParisSpokesMuseums20th CenturyUnbelievableThis GuyUnrealPhenomenalModern Art Author:Jeff Vespa
“I ended up meeting this guy Stefan Simchowitz, who produced Requiem for a Dream and also went to AFI. I randomly met him in Cannes. By September of 2000, we had made a deal with this company that he was working with. They merged with us and in January of 2001, we opened WireImage. It was pretty crazy because I only started shooting celebrity stuff in 1998 - literally two and a half years later, I'm opening this company.” YearsMadeTwoDreamGuyStuffDealsHalfCompanyCrazyMetsMeetingsOpeningShootingSeptemberThis GuyJanuaryHalf A YearCannesRequiemRequiem For A Dream Author:Jeff Vespa
“So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."” SaidJobsFilmGuyShotsYeahSorryShootingGirlfriendDigitalI'm SorryGood JobLensesMy Girlfriend Author:Jeff Vespa
