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“Print media started collapsing in the mid-2000s. When I first started out, it seemed like alternative news weeklies were the future of newspapers. It was a booming industry. It was a product of the nineties and that nineties mentality. At the time, I had a day job at the University of Virginia and I was sending my strip out and picked up one paper here and another paper there very gradually. I was building up a client list and then that fateful day where Village Voice Media dropped comics across the entire chain. I was actually spared the worst of that. I think I was just in the Village Voice at the time, but that was a big loss. [laughs] Not that the pay was all that great, but it had been my goal to get into that paper. At the time I really wasn’t sure whether I would be able to continue, but then dailykos came along and picked up a bunch of alt weekly cartoonists and breathed some life into our industry online. They did really well on dailykos they were shared a lot and got good traffic and I think it set a precedent. Not that it was the first home for political cartoons online, but something about dailykos at that moment turned the tide a bit. A few more websites started running political cartoons – and paying fairly for them. People started realizing that they were highly shareable and that they could do well online. I’ll add that print has stabilized. At least it had stabilized under the second Obama administration. I actually added papers during that time. I wouldn’t say this is a growth industry. I think it would be very hard to break into now, but I did get the sense that print media had stabilized and some papers were doing okay. For me it’s really a hybrid now between print and digital. Certainly the digital side of things has grown the most in the past few years. (Interview with Comicsbeat)”

“What pushed you to be political? I’ve always been interested in politics, but when I first got out of college I just wanted to have fun and do non-political work. What happened was the Bush vs Gore election and the Supreme Court [decision]. That was the event that really shocked me into starting to do political cartoons. It was just so outrageous at the time. Then 9/11 and the Iraq War. I prefer doing a mix of straightforward political cartoons and more cultural cartoons about trends and facial hair and things like that. Now I feel silly doing a strip about beards. Maybe things will calm down and I can go back to doing cartoons about facial hair. As time went on and politics became more and more dire, that’s what really sent me down that path. Also I started picking up more and more clients that are explicitly political, like dailykos and The Progressive Magazine and once in a while The Nation will run a cartoon. That pushed me in a more political direction as well. (Interview with Comicsbeat)”