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“The tea-masters held that real appreciation of art is only possible to those who make of it a living influence. Thus they sought to regulate their daily life by the high standard of refinement which obtained in the tea-room. In all circumstances serenity of mind should be maintained, and conversation should be conducted as never to mar the harmony of the surroundings. The cut and color of the dress, the poise of the body, and the manner of walking could all be made expressions of artistic personality. These were matters not to be lightly ignored, for until one has made himself beautiful he has no right to approach beauty. Thus the tea-master strove to be something more than the artist,—art itself.”

“We find Tankawosho breaking up a wooden statue of Buddha on a wintry day to make a fire. 'What sacrilege!' said the horror-stricken bystander. 'I wish to get the Shali out of the ashes,' calmly rejoined the Zen. 'But you certainly will not get Shali from this image!' was the angry retort, to which Tanka replied, 'If I do not, this is certainly not a Buddha and I am committing no sacrilege.' Then he turned to warm himself over the kindling fire.”

“Ceux d'entre nous qui ignorent le secret consistant à régler au plus juste leur propre existence sur cet océan tumultueux de tracas absurdes que nous appelons la vie, ceux-là vivent dans un état de souffrance permanente - tout en s'efforçant, mais en vain, de paraître heureux et satisfaits. Nous chancelons en tentant de conserver notre équilibre moral, et nous voyons des signes précurseurs de tempête dans chaque nuage flottant à l'horizon. Quelle joie et quelle beauté; cependant, dans le déferlement des vagues qui roulent vers l'éternité ! Pourquoi ne pas pénétrer l'esprit de la vague, ou comme Lie-tseu, chevaucher l'ouragan lui-même ?”