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Kate Elizabeth Russell Books

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My Dark Vanessa

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“Afterward, as we walk down Congress Street toward my apartment, the man says, “Men like that know how to pick the right ones, you know? They’re real predators. They know how to scan a herd and select the weak.” As he says that, I see a scene of me, fifteen and wild-eyed, separated from my parents, running in a panicked gait across a tundra landscape while Strane sprints after me, gathering me in his arms without breaking stride. An ocean roars in my ears, blocking out the rest of the man’s thoughts on the film, and I think, Maybe that’s all it was. I was an obvious target. He chose me not because I was special, but because he was hungry and I was easy.”

“He'll never meet you," I say. It's a hard truth, carrying within it grief and joy. Jo opens her eyes, doesn't lift her head as she watches me. She's constantly taking in my face and tone, noticing everything about me. When I start to drift away, her tail thumps against the couch cushion, like a drumbeat, a heartbeat, a rhythm of grounding. You're here, she says. You're here. You're here.”

“I just want to know if you think I should.” “I think it would cause you severe stress,” Ruby says. “I’d worry the symptoms you described would become even more intense to the point where it would be difficult for you to function.” “But I’m talking on a moral level. Because isn’t it supposed to be worth all the stress? That’s what people keep saying, that you need to speak out no matter the cost.” “No,” she says firmly. “That’s wrong. It’s a dangerous amount of pressure to put on someone dealing with trauma.” “Then why do they keep saying it? Because it’s not just this journalist. It’s every woman who comes forward. But if someone doesn’t want to come forward and tell the world every bad thing that’s happened to her, then she’s what? Weak? Selfish?” I throw up my hand, wave it away. “The whole thing is bullshit. I fucking hate it.”

“One tweet includes a photo of her at fourteen, skinny and smiling through braces in her field hockey uniform, the text screaming, THIS IS HOW OLD TAYLOR BIRCH WAS WHEN JACOB STRANE ASSAULTED HER. I try to imagine the same line paired with the Polaroids Strane took of me at fifteen, my heavy-lidded eyes and swollen lips, or with the photos I took of myself at seventeen, standing before a backdrop of birch trees, lifting my skirt as I stared at the camera, looking like a Lolita and knowing exactly what I wanted, what I was. I wonder how much victimhood they’d be willing to grant a girl like me.”

“But I’m not ok. For days afterward, I walk around dazed, unable to shake the feeling of having been violated. During a meeting with my advisor, she asks how I’m doing, expecting my usual aloof response. Instead, I launch into a version of what happened. I try to be vague because I don’t want to implicate Strane, so the story comes out patchy and incoherent, makes me sound crazy. “This is Henry we’re talking about?” my advisor asks, her voice barely above a whisper; the office walls are thin. “Henry Plough?” He hasn’t even been there a year and already he has a reputation for being a man of integrity. Clasping her hands, my advisor labors over her words as she says, “Vanessa, over the years I’ve gathered from your writing that something happened to you in high school. Do you think that might be what you’re really upset about here?” She waits, her eyebrows jumping as though prompting me to agree. This, I think, is the cost of telling, even in the guise of fiction—once you do, it’s the only thing about you anyone will ever care about. It defines you whether you want it to or not. My advisor smiles, reaches forward and pats my knee. “Hang in there.”

“He smiles, cocks his head. 'Why would it matter if someone saw you saying hello to me?' I clench my jaw and breathe hard through my nose. His innocence feels put on, like he’s playing with me by playing dumb. Still smiling, he leans back in his chair, and him doing that—leaning back, crossing his arms, looking me up and down as though I’m entertaining, just something to look at—makes anger flare up inside me, so sudden and strong I ball my hands into fists to stop from screaming, lunging forward, grabbing the Harvard mug off his desk and hurling it at his face. I turn on my heel, stomp out of the room and down the hallway. I’m furious the whole way back to Gould, but once I’m in my room, the anger disappears and all that’s left is the dull-ache desire for meaning I’ve had for weeks now. He said he wanted to kiss me. He touched me. Every interaction between us is tinged now with something potentially ruinous, and it isn’t fair for him to pretend otherwise.”