“Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it.” UsedArtistCenturyPhotographyInventionFrightenedNineteenth Century Book:The romantic rebellion: romantic versus classic art Source: The romantic rebellion: romantic versus classic art
“Antique art has come down to us in a fragmentary condition, and we have virtuously adapted our taste to this necessity. Almost all our favorite specimens of Greek sculpture, from the sixth century onward, were originally parts of compositions, and if we were faced with the complete group in which the Charioteer of Delphi was once a subsidiary figure, we might well experience a moment of revulsion. We have come to think of the fragment as more vivid, more concentrated, and more authentic.” IfsThinkingWellsArtMomentsMightGroupsConditionsCenturyFiguresTasteGreekCompositionSculptureFragmentsVividAdaptedAntiquesRevulsionDelphi Book:The nude: a study in ideal form Source: The nude: a study in ideal form
“Great works of art can be produced in barbarous societies - in fact the very narrowness of primitive society gives their ornamental art a peculiar concentration and vitality. At some time in the ninth century one could have looked down the Seine and seen the prow of a Viking ship coming up the river. Looked at today in the British Museum, it is a powerful work of art; but to the mother of a family trying to settle down in her little hut, it would have seemed less agreeable - as menacing to her civilisation as the periscope of a nuclear submarine.” GivingTryingLittlesArtFactsTodayMotherPowerfulCenturyRiversBritishNuclearShipsSettlingConcentrationWorks Of ArtMuseumsPeculiarPrimitiveVitalityGreat WorkCivilisationSettling DownVikingsHutsSubmarinesBritish Museum Author:Kenneth Clark
“Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.” MeanUseUsedArtistRecordsCenturyDesignPhotographyInventionFrightenedAccurateCompositionFormalNineteenth CenturySymmetrySnapshotsDegas Book:The romantic rebellion: romantic versus classic art Source: The romantic rebellion: romantic versus classic art
