“You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."” KnowsTryingLooksMadeWarRealUseRealityLastsFilmThreeCan DoHoursLosesFiveBloodBrotherResearchShotsCleanIraqPracticalsMade ItPostsMy BrotherExtrasDocumentariesExplosions Author:Kimberly Peirce
“A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.” EnoughCharacterFilmHorrorTruthfulHorror Film Author:Kimberly Peirce
“In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.” ThinkingKidsFilmHouseAudienceViolenceEmotionalHorrorWindowShiningVulnerableIntimacyHalloweenVery DeepHorror FilmNicholsonShelleyBabysitting Author:Kimberly Peirce
