“I'm keeping everything on a human level, but essentially everything in our lives has to be on a human level. Any specification of something by art history doesn't make any sense. The point is, if you have a loving, adorable, supportive mother anywhere in the world and you tell her all of your dreams, all of your aspirations, and the reward you would like, and she understands you, then it's not worth doing.” IfsWorldHumansArtDreamMotherLevelsOur LivesRewardsYour DreamsAspirationSupportiveAdorableArt HistorySpecifications Author:Lawrence Weiner
“Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.” IfsThinkingWorldKindArtHelpingMightArt IsSupposed To BeRelateExplanationRelatedArt HistoryFootnotes Author:Lawrence Weiner
“In the digital world we live in, there is no pixel who thinks they're better than any other pixel. And there is no pixel that will not work with another pixel to produce something. And when two pixels come together and have children, they'll place any attention to what the color is and nobody says anything.” ThinkingWorldChildrenTwoTogetherAttentionProduceColorDigitalSay AnythingDigital WorldPixels Author:Lawrence Weiner
“Now "professional" seems to be whoever you went to school with. It constitutes your nuclear world. And that's the fault of the teachers; it's not the fault of the young artist.” WorldSeemsSchoolYoungArtistTeacherFaultsNuclearYoung Artists Author:Lawrence Weiner
“There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.” IfsThinkingKnowsWorldWayYearsArtWould BeThreeNextSituationFinalsBeing The BestProgressiveThree YearsOld FashionedSpinningJust Do ItDealerExhibitionsDiscrepancies Author:Lawrence Weiner
“I only work in relation to what the work is about. Yes, of course, if the world's coming to an end I would basically try to get out of the way when the sky falls.” IfsWorldWayTryingEndsFallCoursesSkyRelationComing To An End Author:Lawrence Weiner
“We were brought up in a world which was based on Aristotle. Science-wise and everything, that's really quite exciting and you learn a lot. There was one problem: there were parallel realities. And in a parallel reality, there's always one reality that's the prime and the second is always a secondary. And everything's a reflection of something else.” WorldProblemRealityWiseReflectionExcitingPrimeParallels Author:Lawrence Weiner
“I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.” PeopleIfsWorldFeelsChildrenArtRealUseCareArtistImagineSmartResourcesTradeConstantFeel GoodExpensiveExcessFeel BetterPercentages Author:Lawrence Weiner
