“The concept of who your audience is becomes more important than your site. Sometimes you can be commissioned to do a piece in Strasburg, and it works. Sometimes you're commissioned to do a piece somewhere else and it doesn't work, but then it moves to another city, the people embrace it, and becomes part of them. You just misjudged the needs of the people. Art is about giving people material and things to work with to fulfill whatever needs they have.” PeopleNeedsGivingArtImportantSometimesMovingCitiesAudiencePiecesMaterialsArt IsConceptsEmbraceSiteSomewhere Else Author:Lawrence Weiner
“What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.” PeopleKnowsStillsWholeSchoolArtistInterestingGroupsInternetEuropeChosenFascinatedTraveledInteresting Things Author:Lawrence Weiner
“The art schools seem to be trying to turn people out as "professional." But I don't know what the word "professional" means any longer. "Professional" would be somebody who was trying to push painting to a point that nobody else could do as well as he could. That would be my ideal professional.” PeopleKnowsTryingWellsMeanArtSeemsWould BeSchoolTurnsPaintingIdealsArt School Author:Lawrence Weiner
“There is a primacy of each individual object. And we'll see! That's the whole point of making sculpture, to present a question in a physical form to people.” PeopleWholeFormIndividualObjectsSculpturePrimacy Author:Lawrence Weiner
“I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.” PeopleIfsWorldFeelsChildrenArtRealUseCareArtistImagineSmartResourcesTradeConstantFeel GoodExpensiveExcessFeel BetterPercentages Author:Lawrence Weiner
“There are people who speculate at objects. I don't think that makes them evil or not evil. It doesn't matter; in order to speculate, it has to be made public. Once it's made public, it's functioned is art.” PeopleThinkingArtMadeMatterOrderEvilObjects Author:Lawrence Weiner
“I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.” PeopleIfsThinkingShouldLooksWorryWasteMotiveRacistBad ThingsWasting TimeSupportiveSexist Author:Lawrence Weiner
“Like the people that in the 60s or 70s claimed the "end of painting" - all they did was open up a whole new branch for painting. Happily, it doesn't work. It's not a reason for art. Closing something out is not a reason for something to exist.” PeopleArtEndsReasonWholePaintingBranchesWorking ItClosing Author:Lawrence Weiner
“People, buying my stuff, can take it wherever they go and can rebuild it if they choose. If they keep it in their heads, that's fine too. They don't have to buy it to have it - they can just have it by knowing it.” PeopleIfsStuffKnowingFineBuying Author:Lawrence Weiner
