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Liz Greene

Liz Greene Books

Astrologer

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“Greek thought, as Russell states, is full of fate. It can, of course, be argued that these sentiments are the expressions of an archaic culture or world view which died two thousand years ago, prolonged through the medieval epoch because of ignorance of the natural universe, and that we know better now. In one sense this is true, but one of the more important and disturbing insights of depth psychology is the revelation that the mythic and undifferentiated consciousness of our ancestors, which animated the natural world with images of gods and daimones, does not belong to chronological history alone. It also belongs to the psyche of modern man, and represents a stratum which, although layered over by increasing consciousness and the hyper-rationality of the last two centuries, is as potent as it was two millennia or even ten millennia ago.”

“Individuals blind to the sexual opposite within them, be they men or women, never realise that the partner they choose is chosen because he or she bears some resemblance to the anima or animus. The anger and hurt felt at the 'true discovery' of the partner's failings is really anger and hurt directed at oneself; and this would become apparent, were one to see the dark figure within one's own unconscious impelling one into a particular relationship. Like always attracts like; rather than railing at the partner, one should take a long, close look at one's own psychic makeup. But it is easier to complain bitterly --- to analysts, marriage counsellors, and also astrologers --- that yet another relationship has collapsed and yet another partner has proved to be a bad choice. It is also fashionable to blame this on the failures of the parent of the opposite sex; but the past continues to live within a person not only because in some way it is part of his own substance, but also because he permits it to do so. When a disastrous relationship occurs once, we may fool ourselves into believing it is chance; when it occurs twice, it has become a pattern, and a pattern is an unmistakable indication that the anima or animus is at work in the unconscious, propelling the helpless ego into relationships or situations which are baffling, painful, and frighteningly repetitive. Again, it is much wiser to look within oneself for the source of the pattern, rather than at the inherent failure of the opposite sex. For these destructive patterns are the psyche's way of making itself known, although great effort is often required to fulfil its demand for transformation. And great sacrifices also are required - of such precious commodities as one's pride, one's self-image, one's self-righteousness.”

“In personal relationships, water may often be the one who exits due to a feeling of being injured or emotionally rejected; in such situations he or she will usually have found someone else who is more "responsive", only to discover wit horror that the new lover has a different face but is in fact the same person as the old.”

“An astrological placement describes an arrow which points somewhere, a creative energy which gradually layers flesh onto the bare bones of archetypal patterning, an intelligent movement which, over time, fills in the stark black-and-white outlines of the essential life-myth with the subtle colours of experience and individual choice.”

“This is called the tabula rasa theory—the notion that how other people treated you in early life gives rise to certain patterns or “scripts” which then determine your self-image and your expectations of what will happen to you later in life. (...) Now psychological astrology views all this slightly differently. Rather than just being born a blank slate and having things done to you which then lead you to form opinions about life and yourself, psychological astrology believes that you are already born with an innate predisposition which expects certain things to happen.”

“Psychological astrology has, like the old Roman god Janus, a double face. It can provide a surgical scalpel which cuts through to the underlying motives, complexes, and family inheritance which lie behind the manifest problems and difficulties which the individual faces; and it can also provide a lens through which can be viewed the teleology and purpose of our conflicts in context of the overall meaning of the individual's journey.”

“An archetype can be defined as a mental representation of an instinct. (...) We are already born with an image of mother, an image of that archetype; and we are already born with an image of father, an image of birth, an image of growth, an image of death, etc. But different people have slightly different images of these archetypal phenomena.”

“This word “individuality” is used a great deal these days, often to describe behaviour which runs against the collective norm. But we are using it here to describe a loyalty to one's own unique nature—an embrace of all the characters in the play. Individuality costs, as T.S. Eliot once wrote, nothing less than everything, and many are understandably not prepared to pay the price of the internal freedom they claim they want.”

“The lunar light which lures us back toward regressive fusion with mother and the safety of the uroboric container is also the light which teaches us how to relate, to care for ourselves and others, to belong, to feel compassion. (...) The solar light which leads us into anxiety, danger and loneliness is also the light which instructs us in our hidden divinity and—as Pico della Mirandola put it in the 15th century—our right to be proud co-creators of God's universe.”