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Lynne Sharon Schwartz

Lynne Sharon Schwartz Books

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Fatigue Artist

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Leaving Brooklyn

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“Does being true to one's self mean offering the literal truth or the truth that should have been, the truth of the image of one's self? It hardly matters by this time. By this time the border between seeing straight on and seeing round the corners of solid objects, between the world as smooth and coherent and the world as dissociated skinless particle, is thoroughly blurred. No longer a case of double vision, but of two separate eyes whose separate visions - what happened and what might have happened - come together in what we call the past, which we see with hindsight. Memory is revision. I have just destroyed another piece of my past, to tell a story.”

“Like a giant doomed to eat damsels, Q. must fill a vast daily quota of attention and adulation from varied sources. In a small town he might run out of people, but by keeping in constant motion, he's in no such danger. The only danger is to those suppliers of attention who expect some continuity of response, who fail to understand that for Q. people are an inexhaustible natural resource for his sustenance and delight, like air or water or sunshine.”

“My head aches, my eyes burn, my arms and legs have given up, and my face in the mirror has a grayish cast. The bed, across the room, calls in its unmistakable lover's croon, Come to me, come, only I can make you truly happy, oh, how happy I'll make you, don't resist, remember how you moan with pleasure the instant we touch..... Laura Acosta”

“I have managed not to finish certain books. With barely a twinge of conscience, I hurl down what bores me or doesn't give what I crave: ecstasy, transcendence, a thrill of mysterious connection. For, more than anything else, readers are thrill-seekers, though I don't read thrillers, not the kind sold under that label, anyway. They don't thrill; only language thrills.”