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M. John Harrison

M. John Harrison Biography

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“Uncouth, clannish, lumbering about the confines of Space and Time with a puzzled expression on his face and a handful of things scavenged on the way from gutters, interglacial littorals, sacked settlements and broken relationships, the Earth-human has no use for thinking except in the service of acquisition. He stands at every gate with one hand held out and the other behind his back, inventing reasons why he should be let in. From the first bunch of bananas, his every sluggish fit or dull fleabite of mental activity has prompted more, more; and his time has been spent for thousands of years in the construction and sophistication of systems of ideas that will enable him to excuse, rationalize, and moralize the grasping hand. His dreams, those priceless comic visions he has of himself as a being with concerns beyond the material, are no more than furtive cannibals stumbling round in an uncomfortable murk of emotion, trying to eat each other. Politics, religion, ideology — desperate, edgy attempts to shift the onus of responsibility for his own actions: abdications. His hands have the largest neural representation in the somesthetic cortex, his head the smallest; but he's always trying to hide the one behind the other.”

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Book:The Centauri Device
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“I still feel that most F/SF is aimed at people who refuse to grow up. This is ironical because the proportion of genre readers who refuse to grow up has actually gone down a little since I made those criticisms. (I should remind people that I was by no means the first to make them.) What locks the field into juvenility these days is not writer/reader feedback: it's the intense determination of corporate publishers to maintain an audience of extended adolescents. People who don't grow up properly buy more things, especially hacky-slashy faery Game Boy virtual world-building sorts of things.”

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Author:M. John Harrison
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“The transit lanes were full of pathetic alien junk abandoned by the survivors in the aftermath of the war: personal effects, robbed of place and purpose and cultural definition, hard to identify in terms of human equivalence as the belt-buckles, book-ends or athletic trophies they undoubtedly were. Tiny, with the brain of a jackdaw and all the moral sensibility of a maggot in a cemetery, had been pocketing the shiner bits as he went along, exclaiming "Look at that, Truck!" and "Hey, someone's kicking himself for losing this!”

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Book:The Centauri Device
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“Egnaro is a secret known to everyone but yourself. It is a country or a city to which you have never been; it is an unknown language. At the same time it is like being cuckolded, or plotted against. It is part of the universe of events which will never wholly reveal itself to you: a conspiracy the barest outline of which, once visible, will gall you forever.”

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Author:M. John Harrison
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“What is literature, and why do I try to write about it? I don’t know. Likewise, I don’t know why I go on living, most of the time. But this not knowing is precisely what I want to preserve. As readers, the closest way we can engage with a literary work is to protect its indeterminacy; to return ourselves and it to a place that precludes complete recognition. Really, when I’m reading, all I want is to stand amazed in front of an unknown object at odds with the world.”

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Author:M. John Harrison
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“After all why should our goal be the reinstatement of an illusory 'exact' relationship between events and words? If you probe in the ashes you will never learn anything about the fire: by the time the ashes can be handled the meaning has passed on. Every adventure is a cup so empty it can be drunk from again and again and again. Every adventure is so perfect it verges on silence.”

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“Dreamworlds can maintain themselves only as glimpses. Once the writer transports the reader across the threshold, nothing that was promised can be delivered. What was ominous becomes ordinary; what was bizarre, quotidian. Unless you simply keep upping the ante, piling on the bullshit, the only way to revive things is to switch perspectives as quickly as you can.”

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Author:M. John Harrison
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“SF is an opportunity to have an intense relationship with your own imagination. It's a kind of drive-by poetry, trashy and addictive; it's fun. After that, for me, it's an opportunity to explore that kind of imaginative artifact from inside, and use a little camped-up contemporary science as a way of generating new metaphors around my typical obsessions.”

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Author:M. John Harrison
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