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“The reception tent was rigged with a custom lighting system that projected twinkling constellations in an evening sky. Every table had a massive floral centerpiece draped in lush white flowers and dripping with crystals. The china, crystal, and sterling silver were brought in from England. Fun fact: just one sterling place setting cost roughly $800. The gilded custom stage for the orchestra-style band would have been suited to a Roaring Twenties New York City ballroom. Ornamental bushes dotted the room, trimmed to resemble the constellations brought to life, from the Hunter to the Big Dipper. However, the crown jewel was the head table, a round mirrored table underneath a huge hanging ring of white orchids, peonies, and crystals---and in front of a solid wall of five thousand white roses and ranunculus. The sight was truly breathtaking.”

“The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.”

“What was the inspiration for all this? Snow White's forest?" "Close, kind of," I replied. "This one's actually FernGully." "You're kidding," he said. "Nope. She wanted her very own enchanted rain forest, and it looks like that's exactly what she got," I said. "She sure did," he replied. "I can't believe we're in Tennessee." The clear-top tent was anchored by fourteen-foot faux weeping willow trees. Candles in glass orbs hung from every branch. The elevated dance floor floated in the center of the space and could be described only as an enormous Lucite shadow box filled with thousands of faux flowers in a rainbow of colors. The bars were covered in green moss and adorned with hundreds of colorful butterflies. The clear ceiling was almost entirely covered in twinkling fairy lights that would look just like a sky full of stars once the sun set. But the real showstopper was the centerpiece on every dining table. Atop every amethyst silk tablecloth was an antique birdcage that housed two real-life lovebirds. The rosy-faced little birds were hopping around and singing, and the space looked, sounded, and felt exactly like an enchanted forest from the movie. I wasn't precisely sure how authentic they were to the rain forest setting, but their chirping certainly added to the wild vibe.”