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“We are violently propelled into the world with blood and pain and few of us will die with the dignity for which we hope and for which some pray. Whether we choose to think of life as an impending happiness broken only by inevitable grief and disappointments, or as the proverbial vale of tears with brief interludes of joy, the pain will come, except to those few whose deadened sensibilities made them apparently impervious to either joy or sorrow.”

“Western science has been our god. In the variety of its power it has preserved, comforted, healed, warmed, fed and entertained us and we have felt free to criticize and occasionally reject it as men have always rejected their gods, but in the knowledge that, despite our apostasy, this deity, our creature and our slave, would still provide for us; the anaesthetic for the pain, the spare heart, the new lung, the antibiotic, the moving wheels and the moving pictures. The light will always come on when we press the switch and if it doesn’t we can find out why.”

“Snapping shut his mobile, Dalgliesh reflected that murder, a unique crime for which no reparation is ever possible, imposes it own compulsions as well as it's conventions. He doubted whether Macklefield [the murder victim's Will attorney] would have interrupted his country weekend for a less sensational crime. As a young officer he, too, had been touched, if unwillingly and temporarily, by the power of murder to attract even while it appalled and repelled. He had watched how people involved as innocent bystanders, provided they were unburdened by grief or suspicion, were engrossed by homicide, drawn inexorably to the place where the crime had occurred in fascinated disbelief. The crowd and the media who served them had not yet congregated outside the wrought-iron gates of the Manor. But they would come, and he doubted whether Chandler-Powell's [owner of the Manor where the murder was committed] private security team would be able to do more than inconvenience them.”

“I used to think that we can have almost anything we want from life, that it's just a question of organization. But now I'm beginning to think that we have to make a choice more often than we'd like. The important thing is to make sure that it's our choice, no one else's, and that we make it honestly. But one thing I'm sure of is that it's never a good thing to make a decision when you're not absolutely well.”

“It was easy to understand how the local legends had grown that sometimes, on an autumn night, once could hear the muffled beat of horses' hoofs as smugglers brought their kegs and bales from Sizewell Gap to hide them in the marshes or carry them inland across the desolate Westleton heathlands. Easy, too, on such a night to hear from the sea the faint bells of long-drowned churches, St. Leonard's, St. John's, St. Peter's and All Saints clanging their dirges for the souls of dead men. And now there might be new legends to keep the countryman indoors on the autumn nights. The October legends. One of a naked woman, pale under the moon, walking through the waves to her death: one of a dead and handless man drifting out on the tide.”

“[Soho] is all things to all men, catering comprehensively for those needs which money can buy. You see it as you wish. An agreeable place to dine; a cosmopolitan village tucked away behind Piccadilly with its own mysterious village life, one of the best shopping centres for food in London, the nastiest and most sordid nursery of crime in Europe. Even the travel journalists, obsessed by its ambiguities, can't make up their minds.”

“The city which lay below was a charnel house built on multi-layered bones centuries older than those which lay beneath the cities of Hamburg or Dresden. Was this knowledge part of the mystery it held for her, a mystery felt most strongly on a bell-chimed Sunday on her solitary exploration of its hidden alleys and squares? Time had fascinated her from childhood, its apparent power to move at different speeds, the dissolution it wrought on minds and bodies, her sense that each moment, all moments past and those to come, were fused into an illusory present which with every breath became the unalterable, indestructible past. In the City of London these moments were caught and solidified in stone and brick, in churches and monuments and in bridges which spanned the grey-brown ever-flowing Thames. She would walk out in spring or summer as early as six o'clock, double-locking the front door behind her, stepping into a silence more profound and mysterious than the absence of noise. Sometimes in this solitary perambulation it seenmed that her own footsteps were muted, as if some part of her were afraid to waken the dead who had walked thse streets and had known the same silence.”