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Rick Bass

Rick Bass Quotes

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Famous Rick Bass Quotes

“I remember one of the last things Mother said to us, one of the very last things. In my mind, it has become the last thing, and maybe it was. She was lying on the cedar frame bed in the back bed-room in the early summer, with the bed moved over right against the window. The window was open to let the breeze and birdsong and sunlight in, the light rushing in through the lace curtains. She had lost a lot of weight and had had a hard time, but was never more beautiful in the way that there can be nothing more beautiful than dignity. "I've seen a lot," she said, and smiled, and it was not an act for us, it was not a thing said for our benefit. She was just saying it, and smiling. She was just brave, was all.”

MotherNatureFamilyDyingDignityBirdsBirdsong
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“And it occurred to me by the time I was a teenager that I had become part of the land, every bit as much a part of it as sparrow eggs or thrasher nest, garter snake or oak tree, and that the rest of my life, or anyone's life, would be a gradual learning process, a journey toward fitting into one's home, for those of us lucky enough to still recognize what is home...that which we are a part of, rather than estranged from. And rather than using the word "lucky," perhaps I should use the word grace.”

HomeNatureLandConnection
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“I think even then I knew Omar would be going away, would be leaving the land to explore cities and towns. But still I tried as hard as I could-it was my job-to plant a sense of the wild within him: something that calls one back into the interior, back into the shadows and safety of a place that still has reverence to it. Within every atom of it.”

NatureFamilySiblingsNature Appreciation
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.”

NatureFamilyAgingGrandfatherBirdsGranddaughterBirdsongConnection With NatureElderlyion With Nature
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“I sat in the back with Omar napping against my right shoulder and Mother napping against my left, and I thumbed through the bird book and looked at pictures of all the new birds I had seen, and at the ones I had not seen. It was unimaginable to think that they were out there-all these hundreds, even thousands of birds-and that I had not seen them. I felt both hungry and sated-like a cat, I imagined. With Mother asleep on my shoulder, good crisp air coming in the window, a stomach full of flounder, and two dozen new birds flying through my mind-and returning home-I felt like there couldn't be a more satisfied person in the world. This, in turn, made me hungrier: made me want to see more.”

NatureFamilyDiscoveryExploringBirds
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“I pointed to a red-tailed hawk half a mile above us. I watched the hawk to see if it was Chubb. Strange things happen in the animal world when a loved one dies, that's a fact. They honor our passage with far more reverence than we do theirs.”

DeathNatureFamilyAnimals
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“I remember a game Omar and I used to play, when we were small. Scorpions would glow in the dark, after we'd loaded them up with light by shining our flashlight on them. Not every scorpion would glow like this, but some would-about one in a hundred, maybe one in a thousand. We'd lift up rocks, under the moonlight, and shine our lights on the scorpions' backs, looking for such a specimen. And then when we'd find one, we'd fill him with the light from our flashlights, then shut the lights off and follow him, glowing in the dark, across the caliche streambeds, across the slick rock, and across the hills, following him until the glimmer faded, and there was only silence.”

NightNatureFamilyGenerationsNostalgiaDeath And DyingPassing Time
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“They're old letters from this fellow Chubb and I used to know," he sang, almost in a whisper, and I imagined that the birds, if they could hear him, rustled in their sleep, on their roosts: his words entering their dreams, calling to them.”

NatureWildlifeBirdsGrandparentsConnection To Nature
Book:The Sky, The Stars, The Wilderness: Three Lyrical Short Stories of Texas, Appalachia, and the Untamed American West
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“I live here on the Prade Ranch alone-already years beyond the age my mother was when she returned to the ranch-to the particular elements of the earth: soil, water, carbon sky. You can rot or you can burn but either way, if you're lucky, a place will shape and cut and bend you, will strengthen you and weaken you. You trade your life for the privilege of this experience-the joy of a place, the joy of blood family; the joy of knowledge gotten by listening and observing. For most of us, we get stronger slowly, and then get weaker slowly, with our cycles sometimes in synchrony with the land's health, though other times independent of its larger cycles. We watch and listen and notice as the land, the place -life- begins to summon its due from us. It's so subtle...a trace of energy departing here, a trace of impulse missing there. You find yourself as you have always been, square in the middle of the metamorphosis, constantly living and dying: becoming weaker in your strength, finally. Perhaps you notice the soil, the rocks, or the river, taking back some of that which it has loaned to you; or perhaps you see the regeneration occurring in your daughter, if you have one, as she walks around, growing stonger. And you feel for the fir time a sweet absence...”

LifeNatureAgingGrowing OldTime PassingGrowing OlderPassage Of TimeMaturingThe Land
Author:Rick Bass
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