“A big reason for their hesitancy to become recording artists was that during their time at WBAU the Spectrum camp has been observing the harsh realities of the developing rap game. Inflated egos meant that they had to treat the upcoming acts who played at their gigs like kings. But after the shows the Spectrum crew would then drive those acts back to the same impoverished neighbourhoods that they'd always lived in. Driving supposed rap stars back to the projects made an impression. 'None of them were really getting paid off records so I was like, "Damn",' is how Chuck assessed the situation.” PovertyHip HopRap1983Public Enemy Book:Don't Rhyme for the Sake of Riddlin' Source: Don't Rhyme for the Sake of Riddlin'